Lyudmila Noble, the author of the book "Just Touching the Memory" was born in a family of a well-known doctor in the former Soviet Union. From her very childhood she was introduced to the notions of humanism and altruism which were presented to her by her father. Lyudmila Noble's father was her mentor and her role model. In the former Soviet Union Lyudmila received her education as linguist, educator and military nurse. She majored in English/German. Later she got her Master's Degree in Social Work in New York, USA. In her book she invites her potential readers to think, to analyze and to understand about the reasons which made Soviet people to leave their country. As everyone is aware nobody leaves and departs from a good life. On the surface her main character had a great career, house, family, children, husband But that was the tip of the iceberg. The underlying reason for her departure from the former Soviet Union was deep down and deeply hidden from the eyes of the bystanders. In her book she tried to capture the most significant events which led the country to the collapse and made an impact of the destinies of the citizens of that country greatly Being a sensitive author, she wants to say in her book, "My freedom is finishing when your freedom ends". As a matter of fact, in the former USSR the notions "will" and "freedom" were not separated. The authorities did everything what they wanted to do in spite of the fact that they hurt constantly Soviet people the people of values and dignity. The main purpose of this book is that very fact that the author intended to introduce relatively newly arrived Russian-speaking community to the American Society. To break stereotypes about Russians as the rigid people who came from the cold freezing country with similar personalities, instead she shows the real Russians in the US.

This thrilling YA fantasy debut follows seventeen-year-old Etta Lark as she navigates the underworld of Craewick to pull off the heist of a lifetime. A YALSA (The Young Adult Library Services Association) Teens' Top Ten Book for 2020, Mansy crafts a grim reality where memories are worth their weight in gold. In the city of Craewick, memories reign. The power-obsessed ruler of the city, Madame, has cultivated a society in which memories are currency, citizens are divided by ability, and Gifted individuals can take memories from others through touch as they please. Seventeen-year-old Etta Lark is desperate to live outside of the corrupt culture, but she grapples with the guilt of an accident that has left her mother bedridden in the city's asylum. When Madame threatens to put her mother up for auction, a Craewick practice in which a "criminal's" memories are sold to the highest bidder before being killed, Etta will do whatever it takes to save her. Even if it means rejoining the Shadows, the rebel group she swore off in the wake of the accident years earlier. To rescue her mother, Etta must prove her allegiance to the Shadows by stealing a memorized map of the Maze, a formidable prison created by the bloodthirsty ruler of a neighboring Realm. Etta faces startling attacks, unexpected romance, and, above all, her own past as she uncovers a conspiracy that challenges everything she knew about herself and the world around her. In a place where nothing is what it seems, can Etta ever become more than a memory thief? Perfect for fans of high-stakemagical heists such as: Leigh Bardugo (Six of Crows) Victoria Aveyard (Red Queen) Roshani Chokshi (The Gilded Wolves) "Mansy's debut will delight fantasy readers who revel in fully developed settings and unusual powers."- Booklist "A welcome addition to the YA fantasy canon, The Memory Thief is a suspenseful page-turner, delightfully chock full of unexpected twists and turns."- Shelf Awareness

Finalist for the International Booker Prize and the National Book Award A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor. On an unnamed island, objects are disappearing: first hats, then ribbons, birds, roses. . . . Most of the inhabitants are oblivious to these changes, while those few able to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young writer discovers that her editor is in danger, she concocts a plan to hide him beneath her f loorboards, and together they cling to her writing as the last way of preserving the past. Powerful and provocative, The Memory Police is a stunning novel about the trauma of loss. ONE OF THE BEST BOOKS OF THE YEAR THE NEW YORK TIMES * THE WASHINGTON POST * TIME * CHICAGO TRIBUNE * THE GUARDIAN * ESQUIRE * THE DALLAS MORNING NEWS * FINANCIAL TIMES * LIBRARY JOURNAL * THE A.V. CLUB * KIRKUS REVIEWS * LITERARY HUB American Book Award winner

“Hieroglyphics is a novel that tugs at the deepest places of the human soul—a beautiful, heart-piercing meditation on life and death and the marks we leave on this world. It is the work of a wonderful writer at her finest and most profound.” —Jessica Shattuck, author of The Women in the Castle After many years in Boston, Lil and Frank have retired to North Carolina. The two of them married young, having bonded over how they both—suddenly, tragically—lost a parent when they were children. Now, Lil has become deter­mined to leave a history for their own kids. She sifts through letters and notes and diary entries, uncovering old stories—and perhaps revealing more secrets than Frank wants their children to know. Meanwhile, Frank has become obsessed with the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is now raising her son. For Shelley, Frank’s repeated visits begin to trigger memories of her own family, memories that she’d hoped to keep buried. Because, after all, not all parents are ones you wish to remember. Empathetic and profound, this novel from master storyteller Jill McCorkle deconstructs and reconstructs what it means to be a father or a mother, and to be a child trying to know your parents—a child learning to make sense of the hieroglyphics of history and memory.

Memory Mambo describes the life of Juani Casas, a 25-year-old Cuban-born American lesbian who manages her family's laundromat in Chicago while trying to cope with family, work, love, sex, and the weirdness of North American culture. Achy Obejas's writing is sharp and mordantly funny. She understands perfectly how the romance of exile—from a homeland as well as from heterosexuality—and the mundane reality of everyday life balance one another. Memory Mambo is ultimately very moving in its depiction of what it means to find a new and finally safe sense of home.

On autopsy, the brain of an Alzheimer's patient can weigh as little as 30 percent of a healthy brain. The tissue grows porous. It is a sieve through which the past slips. As her mother loses her grasp on their shared history, Elizabeth Kadetsky sifts through boxes of the snapshots, newspaper clippings, pamphlets, and notebooks that remain, hoping to uncover the memories that her mother is actively losing as her dementia progresses. These remnants offer the false yet beguiling suggestion that the past is easy to reconstruct—easy to hold. At turns lyrical, poignant, and alluring, The Memory Eaters tells the story of a family's cyclical and intergenerational incidents of trauma, secret-keeping, and forgetting in the context of 1970s and 1980s New York City. Moving from her parents' divorce to her mother's career as a Seventh Avenue fashion model and from her sister's addiction and homelessness to her own experiences with therapy for post-traumatic stress disorder, Kadetsky takes readers on a spiraling trip through memory, consciousness fractured by addiction and dementia, and a compulsion for the past salved by nostalgia.