There are few creative acts more mysterious and magical than writing a song. But what if the goal wasn't so mysterious and was actually achievable for anyone who wants to experience more magic and creativity in their life? That's something that anyone will be inspired to do after reading Jeff Tweedy's How to Write One Song. Why one song? Because the difference between one song and many songs isn't a cute semantic trick—it's an important distinction that can simplify a notoriously confusing art form. The idea of becoming a capital-S songwriter can seem daunting, but approached as a focused, self-contained event, the mystery and fear subsides, and songwriting becomes an exciting pursuit. And then there is the energizing, nourishing creativity that can open up. How to Write One Song brings readers into the intimate process of writing one song—lyrics, music, and putting it all together—and accesses the deep sense of wonder that remains at the heart of this curious, yet incredibly fulfilling, artistic act. But it’s equally about the importance of making creativity part of your life every day, and of experiencing the hope, inspiration, and joy available to anyone who’s willing to get started.

Nicole Parsons had the perfect life, made complete with the suburban home and the proverbial white picket fence. When tragedy struck and she lost the most important people in her life, she turned away from everything she loved before; shutting out every reminder of the perfect life she lost. It has been one year, three months, one week and six days since the accident, and Nicole is ready to stop counting the days she’s survived, and begin living again. On a dare from her best friend, Nicole encounters Zack Walters - the popular alternative rock star and man who signifies so much of her past – and suddenly everything in Nicole’s safe and quiet life changes. When she’s forced to face the pain she’s carried for so long, will she truly be able to heal from her past and begin to live again? Or will her new adventure ruin her completely?

One summer. One plan. One chance to shine. Cami Harris is ready to leave Branson behind for the bright lights of Nashville… or New York… or L.A. She’s not sure which. She knows any of those cities could help her with her lifelong dream of becoming the next musical superstar. Before she graduates, a once in a lifetime opportunity appears on her doorstep. Southern rock legend Hank Walker is coming to Mountain View Theater for the summer, and she’s hired as one of his backup singers. Cami’s excited to have the chance to learn from a certified rock god, even if he’s a certified jerk. Hank’s son Dylan offers to take Cami under his wing and teach her everything he knows about the music industry. Dylan and Cami grow closer, but he’s holding something back. Something that could destroy their relationships before it even starts. As Cami navigates the world of rock-n-roll, love, and family, she has to decide if leaving Branson is really what she wants or if home is where she needs to be.

Many Voices One Song is a detailed manual for implementing sociocracy, an egalitarian form of governance also known as dynamic governance. The book includes step-by-step descriptions for structuring organizations, making decisions by consent, and generating feedback. The content is illustrated by diagrams, examples and stories from the field.

Like many writers, I suppose I have an idealized picture of the past, of my youth, when everything was green and golden and all the calves sang to my huntsmans horn. All the potential was ours, all that mattered was the immediate present, and the future belonged to some non-threatening, never-to-be-achieved time when we might--God forfend--actually get older. So here it is--my paean to my youth--long gone--but never--oh dear Lord above protect us in our innocence and naivete--never to be forgotten.

"“Song Lyric,” ci, remains one of the most loved forms of Chinese poetry. From the early eleventh century through the first quarter of the twelfth century, song lyric evolved from an impromptu contribution in a performance practice to a full literary genre, in which the text might be read more often than performed. Young women singers, either indentured or private entrepreneurs, were at the heart of song practice throughout the period; the authors of the lyrics were notionally mostly male. A strange gender dynamic arose, in which men often wrote in the voice of a woman and her imagined feelings, then appropriated that sensibility for themselves.As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older “Classical Poetry,” shi. In a world that was either pragmatic or moralizing (or both), song lyric was a discourse of sensibility, which literally gave a beautiful voice to everything that seemed increasingly to be disappearing in the new Song dynasty world of righteousness and public advancement."

Dorothy Lynn Dunbar has everything she ever wanted: her family, her church, her community, and plans to marry the young pastor who took over her late father’s pulpit. Time spent in the woods, lifting her heart and voice in worship accompanied by her brother’s old guitar, makes her life complete . . . and yet she longs for something more. Spending a few days in St. Louis with her sister’s family, Dorothy Lynn discovers a whole new way of life—movies, music, dancing; daring fashions and fancy cars. And a dynamic charismatic evangelist . . . who just happens to be a woman. When Dorothy Lynn is offered a chance to join Aimee Semple McPherson’s crusade team, she finds herself confronted with temptations she never dreamed of. Can Dorothy Lynn embrace all the Roaring Twenties has to offer without losing herself in the process?