Moving into that house isn’t quite the celebration it was supposed to be. It would have been a lot happier and exciting if Bradley hadn’t caught his wife, Sydney, with another man, just weeks before move-in day. Now, he’s moving in alone, and lawyers have already started pressing him about alimony and child custody. Sydney wants everything, and her expensive lawyers are determined to make sure she gets it. And Bradley thinks that his situation is hopeless, until he finds an old diary in that house, left behind by some previous owner. It’s a diary written by someone named Raymond, who went through the same exact thing. In fact, Raymond’s story is so identical to Bradley’s, it’s almost eerie. At times, it’s almost like Bradley is reading about his own life. And it gets even weirder when he gets to the part of the journal where Raymond discovers secret rooms in the house, filled with women’s clothing, wigs, and makeup.

Grant’s twin sister, Lizzy, has it all after she meets her new boyfriend. He’s the son of very rich parents who happily fund his expensive photography hobby, buy him cars and apartments, and pay for his every bill. His wealthy parents fly him and Lizzy around the world on lavish vacations. How could Grant not be jealous? Now, at the airport without a passport, Lizzy needs Grant’s help; there’s a temporary permit on her laptop, and she needs Grant to message it to her. Grant thinks nothing of it, until he he sees a folder on her desktop: Luscious Lizzy. That folder is filled with pictures taken by Lizzy’s new boyfriend—and those photos are also being sold on a controversial adult website. This book contains: feminization, sissification, mtf, m2f, transformation, transgender, trans, girly boy, effeminate, genderswap, gender swap, sissy, sissies, t-girl, transition, steamy erotica, crossdressing, crossdresser, transsexual, emasculation.

Kenny has a bully problem: a bad bully problem. Every day is torment, until a new girl arrives at the school. Alex is tall, athletic, and beautiful—and she doesn’t take crap from anyone. When she sees Kenny being targeted by the school’s meanest bullies, she puts her foot down—right into the face of the meanest of them all. And just like that, the bad boys are too afraid to pester Kenny. Now, school life for Kenny isn’t looking so grim. It seems like he’s in the clear, until Alex reveals to him that there is something she wants from the young, petite-framed man.

When Rich tells Derek about a little psychology trick that will make any girl put out, Derek doesn’t believe him—until he tries it out and it actually works. But when he goes to try it out a second time, he isn’t so successful—because the girls have caught on, and now they want revenge. And using Derek as bait (and a wig, some makeup, and some adorable skirts and dresses), the girls are going to get their sweet revenge.

Despite, or even because of their tumultuous history, Palestinians are renowned for being prolific cultural producers, creating many of the Arab world's most iconic works of literature. In particular, the Palestinian short story stands out for its unique interplay between literary texts and the political and historical contexts from which they emerge. Palestinian Literature in Exile is the first English language study to explore this unique genre. Joseph Farag employs an interdisciplinary approach to examine the political function of literary texts and the manner in which cultural production responds to crucial moments in Palestinian history. Drawing from the works of Samira Azzam, Ghassan Kanafani and Ibrahim Nasrallah, Farag traces developments in the short story as they relate to the pivotal events of what the Palestinians call the Nakba ('catastrophe'), Naksa ('defeat') and First Intifada ('uprising'). In analysing several as yet un-translated works, Farag makes an original contribution to the subject of exilic identity and subjectivity in Palestinian literature. This book offers the opportunity to engage with literary works as well to learn from a literary account of history.It is a subject of interest for students and scholars of both Arabic literature and Middle East studies.

In this striking social history, Barbara M. Benedict draws on the texts of the early modern period to discover the era's attitudes toward curiosity, a trait we learn was often depicted as an unsavory form of transgression or cultural ambition.

The first full-length study of Beatrix Potter's entire oeuvre, examining her books by drawing parallels with her private life.