Jack was getting ready for his first day at kinder. He wouldn't know anyone. How would he make friends? Then Jack had an idea. He put on his red-and-blue suit, his yellow cape, his special socks, his gumboots and, last of all, his shiny black mask. Super Jack was ready for action! And all the other kids loved him! But what will Jack do when his costume needs a wash? Will his new friends still like him when he's just Jack?

It's not easy fitting in at a new school. It's even harder to be yourself. A warm and funny story about making new friends and being yourself. Perfect for young fans of WONDER and Frank Cottrell-Boyce. Jack knows LOTS about starting a new school. Since Dad left, he and his mum have moved house five times. He also knows all about fitting in. The trick is to act exactly like everyone else and make sure no one ever notices him. But it's hard work trying to be something he isn't and Jack doesn't have any good friends. That is, until Tyler comes along. Tyler is funny and different and might be the key to getting Jack to realise that although he is brilliant at pretending to be other people, the very best thing he can be is . . . JUST JACK.

By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.

Couldn't get enough of Love, Simon or Red, White and Royal Blue? This is the (slightly NSFW) book for you! 'Jack of Hearts might be the most important queer novel of the decade' Gay Times 'Jack of Hearts won my heart' Courtney Act 'This book is filth' Julian Clary --------------- 'My first time getting it in the butt was kind of weird. I think it's going to be weird for everyone's first time, though.' Meet Jack Rothman. He's seventeen and loves partying, makeup and boys - sometimes all at the same time. His sex life makes him the hot topic for the high school gossip machine. But who cares? Like Jack always says, 'it could be worse'. He doesn't actually expect that to come true. But after Jack starts writing an online sex advice column, the mysterious love letters he's been getting take a turn for the creepy. Jack's secret admirer knows everything: where he's hanging out, who he's sleeping with, who his mum is dating. They claim they love Jack, but not his unashamedly queer lifestyle. They want him to curb his sexuality, or they'll force him. As the pressure mounts, Jack must unmask his stalker before their obsession becomes genuinely dangerous... Praise for Jack of Hearts (and Other Parts) 'The affirming, sex-positive, brilliant new book that puts the "adult" into young adult literature' Attitude 'Humane, sex-positive writing of the funniest, filthiest and most heartening kind' The Guardian

Jack Webb (1920-82) will live on forever in the hearts of TV fans as the no-nonsense cop with Badge 714. His creation and portrayal of Joe friday on Dragnet - and memorable lines such as Just the facts, ma'am - made him and the series a cult with frequent repeat showings on satellite and cable. Moyer and Alvarez, along with Jack's daughter Stacy, tell a riveting story of the man that is certain to delight all Dragnet fans. Also included are a Dragnet Dictionary of Terms, a chronology of Jack's life, and scores of rare photos.

"Fourteen-year-old Jack falls under the spell of a delinquent Florida neighbor and gets way more trouble than he bargained for"--

From New York Times bestselling author Mac Barnett and Geisel Award-winning illustrator Greg Pizzoli, an uproarious early reader series about a mischievous rabbit, a cranky old lady, and a lovable dog. Meet Jack: He lives in a tree house. His interests include snacks, petty theft, and lipstick graffiti. Jack also loves his friends, he just has a funny way of showing it sometimes . . . A perfect read-aloud with snappy, rhythmic text, this series will bridge the gap between picture books and chapter books and fill the Elephant-and-Piggie-shaped hole in young readers' hearts.