Rebecca Rogers Maher follows up Rolling in the Deep with a sexy and deeply emotional short novel in which unexpected desire leads to surprise beginnings. Tony Lopez is losing it. Burdened by a broken marriage and a failing business, the divorced father of two young daughters isn’t on his A game when he meets Beth. She’s clearly pregnant and defiantly single: a beautiful, graceful vision that lights a fire somewhere deep beneath Tony’s layers of self-doubt. They connect at his brother’s upstate New York home during a weekend among friends. Except friends don’t feel this kind of chemistry—or want each other so bad it hurts. Beth Cody has no use for ties that bind. She’s witnessed that kind of wrecking ball. The father of her child isn’t in the picture, and she couldn’t be happier. So when Tony sends her already raging hormones off the chart with his rugged good looks and pent-up sexuality, Beth is thrilled to indulge in a short-term affair, with no strings attached. But one taste isn’t enough. And now that she’s out of her comfort zone, Beth either needs to let go or take a chance on a man who might just be worthy of her love. Praise for Just Give Me a Reason “Terrific . . . [a] surprising and very unconventional twenty-first-century romance.”—Library Journal (starred review) “I can feel the sexy. . . . Uninhibited Beth has helped to free Tony of the emotional constraints he’d been willing to live within all his adult life. And Tony likes the rawness and freedom. Sex between them reveals facets of themselves, lets Beth and Tony learn each other in depth but also exposes things to each of them about themselves.”—Dear Author “A sexy romance . . . [Beth and Tony] have nice chemistry and tension together.”—Smexy Books “Charged with intense chemistry, laugh-out-loud moments and flat-out candor.”—TJ Loves to Read Includes an excerpt from another Loveswept title.

(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.

Eden Murphy came into my club looking to make some extra cash. A girl like her didn't belong in a place like this. She'd get ripped to shreds. Most likely by me. There's nothing but sweetness dripping from her sexy little body, and I'm the monster who's salivating to get a taste. Trent Lawson is the last man I should want. Dark. Dangerous. So wickedly gorgeous he makes my knees weak. He's also an arrogant jerk who happens to be my new boss. When I discover his adorable son is also in my kindergarten class, I know I have to keep my distance. But neither of us can ignore the attraction that flames. One glance, and our hearts race. One touch, and we’re aching for what we can’t have. One night, and we’re falling fast. Dragging her into my sordid world is wrong. It doesn’t matter. Eden Murphy is mine.

Intelligent, confident and beautiful, Antoinette Vaughn had it all until one night she went to help a friend and paid for it...with a life sentence in hell. Four years later, Toni?s judgment is overturned, but the damage is already done. She walks from the prison a free woman, but she?s hardly free. Actually, she?s hardly alive. A prison without rules can do that to a person. She was raised amidst garden parties, stables and tennis courts, but now a dingy flat in a decrepit building is what Toni calls home. It?s cold, dark and barren just like her heart, but it suits her. She doesn?t want to leave much behind when she?s gone, but the simplicity of her sheltered existence begins to unravel when a beautiful stranger comes into her life. How does anyone survive in a world that terrifies them? How do you learn to trust again when everyone is your enemy? How do you take your next breath and not wish it were your last? And if your past returned...what would you do?

Cliffe Knechtle offers clear, reasoned and compassionate responses to the tough questions skeptics ask.

The Humanity of Private Law presents a new way of thinking about English private law. Making a decisive break from earlier views of private law, which saw private law as concerned with wealth-maximisation or preserving relationships of mutual independence between its subjects, the author argues that English private law's core concern is the flourishing of its subjects. THIS VOLUME - presents a critique of alternative explanations of private law; - defines and sets out the key building blocks of private law; - sets out the vision of human flourishing (the RP) that English private law has in mind in seeking to promote its subjects' flourishing; - shows how various features of English private law are fine-tuned to ensure that its subjects enjoy a flourishing existence, according to the vision of human flourishing provided by the RP; - explains how other features of English private law are designed to preserve private law's legitimacy while it pursues its core concern of promoting human flourishing; - defends the view of English private law presented here against arguments that it does not adequately fit the rules and doctrines of private law, or that it is implausible to think that English private law is concerned with promoting human flourishing. A follow-up volume will question whether the RP is correct as an account of what human flourishing involves, and consider what private law would look like if it sought to give effect to a more authentic vision of human flourishing. The Humanity of Private Law is essential reading for students, academics and judges who are interested in understanding private law in common law jurisdictions, and for anyone interested in the nature and significance of human flourishing.