A HILARIOUS, SATIRICAL NOVEL FROM AWARD-WINNING INDIAN WRITER. Funny and sad, satirical and humane, this novel tells the interlinked stories of three unforgettable men whose trajectories cross in Denmark: the flamboyant Ravi, the fundamentalist Karim, and the unnamed and pragmatic Pakistani narrator. As the unnamed narrator copes with his divorce, and Ravi—despite his exterior of skeptical flamboyance—falls deeply in love with a beautiful woman who is incapable of responding in kind, Karim, their landlord, goes on with his job as a taxi driver and his regular Friday Qur’an sessions. But is he going on with something else? Who is Karim? And why does he disappear suddenly at times or receive mysterious phone calls? When a “terrorist attack” takes place in town, all three men find themselves embroiled in doubt, suspicion, and, perhaps, danger. An acerbic commentary on the times, How to Fight Islamist Terror from the Missionary Position is also a bitter-sweet, spell-binding novel about love and life today.

"Middle Eastern expert and media commentator Gerges takes us into the mindset of the jihadi, or holy warrior, that lies behind so many front-page headlines yet remains nearly impenetrable. Even before the 9/11 attacks, Gerges had gone in search of those whose lives were devoted to this crusade of hatred, first against their own secular governments, then against the West and the United States in particular. He talked extensively with Kamal al-Said Habib, a founder of the Jihadist Movement. Using Habib's life story, as well as the stories of dozens of other Islamic fundamentalists, Gerges's book puts a human face to events in the Middle East over the last thirty years, from the civil war in Lebanon to the war in Iraq and the terrorist attacks in London. Behind the jihadism of Habib and others, a battle is being waged for the soul of Islam itself."--Résumé de l'éditeur.

A very angry bus driver, abandoned by his wife and going nowhere in his career; a sanctimonious conductor; a hijra, or eunuch, a remnant of India's Muslim glory days; a nervous, half-Indian businessman clutching a briefcase-full of cash; a right-wing Hindu matriarch; a young boy returning to his village after robbing his employer . . . They meet – and witness a tragic event – only because they are all travelling on the same bus, in the same direction, on the same day. With exceptional poise and beguiling simplicity, Khair introduces a range of voices, thoughts, ideas and identities, allowing each individual’s story to unfold gradually. ‘A novel that reflects deeply into the nature and circumstances of human mobility in our modern, unforgiving world’ Siddhartha Deb, Outlook ‘There is much to enjoy here . . . The twist at the end is hilarious. Khair’s talent is as a miniaturist’ Fiona Hook, The Times ‘It’s a fine work: short, sweet and brutal’ James Smart, Sunday Herald ‘A lyrical journey through small-town India’ Independent ‘[The Bus Stopped] allows stories to emerge with immediacy and leisure, with abrupt shafts of humour’ Guardian

Harris Malouf, a killer with an erased official past, is visited by someone who could not be alive. In Aarhus, police officer Jens Erik cannot forget the body of a black man recovered from the sea some years ago. On an abandoned oil rig in the North Sea, Michelle, a young Caribbean woman, realizes that the man she has followed to this job is not what he claims to be. Set in the post-pandemic world around 2030, but moving back in time to cover all of the 21st century, The Body by the Shore is a novel about reason and emotion, love and despair, greed and hope. When all the narrative strands come together, a world of great terror and beauty is revealed.

Islamic State has replaced Al Qaeda as the great global threat of the twenty-first century, the bogeyman we have all come to fear. But Daesh started as a local movement, rooted in the resentment of the Sunni Arabs of Iraq and Syria. It is they who have lost most in the geo-strategic shift in the balance of power in the region over the last thirty years, as Iranian-backed Shias have mobilised politically and advanced on the social and economic fronts. How has Islamic State been able to muster support far beyond its initial constituency in the Arab world and to attract tens of thousands of foreign volunteers, including converts to Islam, and seemingly countless supporters online? In this compelling intervention into the debate about Islamic State's origins and future prospects, the renowned French sociologist of religion, Olivier Roy, argues that the group mobilised a highly sophisticated narrative, reviving the myth of the Caliphate and recasting it into a modern story of heroism, death and nihilism, using a very contemporary aesthetic of violence, well entrenched amid a youth culture that has turned global and violent.

The author re-evaluates the threat posed by Al-Qaeda following a decade of war.