How to put a method, a structure in madness? ”Since I’d be first to cast a stone at a murderer—I am one after all—I venture on writing these truthful chronicles as a study of human suffering,” writes a serial-killer, in a story of self-discovery gone amok. JUNG’S DEMON is a book as hallucinogenic as Hunter S. Thompson and as powerful as Oscar Zeta Acosta. It is as tragic as Malcolm Lowry and occasionally as funny as David Foster Wallace. "The murders Roman L. had committed with such a ferocious, savage intensity send shivers down my spine every time I reflect on his brutally honest confessions. He writes about “sinking into the terrifying Hell of my own soul, a cold, utter darkness of the scariest, most painful insanity that peels off your skin while your brain screams, crushed by madness.” Even now as I copy his words here, I shake as I furtively look around. And I am afraid. I dread, no matter how irrationally, that I somehow might meet him or one of his scary personalities anew, and, like I was once before in Paris, again be tricked into liking him by his disarming, almost child-like smile and by his mirthful laughter that hid both the frightened child in him and the terrifying, heartless monster sneering behind. This book contains his chronicles. His harrowing descent into Hell.” Think Kafka on acid and sprinkle some humor over it; that's JUNG'S DEMON. “What if I should discover that I myself am the enemy who must be loved? What then?” Carl Gustav Jung

"What if I should discover that I myself am the enemy who must be loved? What then?" Carl Gustav Jung JUNG'S DEMON is a story of self-discovery gone amok, a book as hallucinogenic as Hunter S. Thompson and as powerful as Oscar Zeta Acosta. It is as tragic as Malcolm Lowry and occasionally as funny as David Foster Wallace. The murders Roman L. had committed with such a ferocious, savage intensity send the shivers down my spine every time I reflect on his brutally honest confessions. He writes about "sinking into the terrifying Hell of my own soul, a cold, utter darkness of the scariest, most painful insanity that peels off your skin while your brain screams, crushed by madness." Even now as I copy his words here I shake as I furtively look around. And I fear. I dread, no matter how irrational the thought, that I somehow might meet him again, rather one of his scary personalities anew and, like I was once before in Paris, again be tricked into liking him by his disarming, almost child-like smile and by his mirthful laughter that hid both the frightened child in him and the terrifying, heartless monster sneering behind. Think Kafka on acid and sprinke some humor over it; that's JUNG'S DEMON.

Steeped in the folklore of Eastern Europe, and set in the shadow of Nazi darkness erupting just beyond the Czech border, this bone-chilling, richly imagined novel is propulsively entertaining, and impossible to put down. "A wildly entertaining story...Russell has created a truly frightening story." —The New York Times Book Review Czechoslovakia, 1935: Viktor Kosárek, a newly trained psychiatrist who studied under Carl Jung, arrives at the infamous Hrad Orlu Asylum for the Criminally Insane. The facility is located in a medieval mountaintop castle surrounded by forests, on a site that is well known for concealing dark secrets going back many centuries. The asylum houses six inmates--the country's most treacherous killers--known to the terrified public as the Devil's Six. Viktor intends to use a new medical technique to prove that these patients share a common archetype of evil, a phenomenon he calls The Devil Aspect. Yet as he begins to learn the stunning secrets of these patients, he must face the unnerving possibility that these six may share a darker truth. Meanwhile, in Prague, fear grips the city as a phantom serial killer emerges in the dark alleys. Police investigator Lukas Smolak, desperate to locate the culprit (a copycat of Jack the Ripper), turns to Viktor and the doctors at Hrad Orlu for their expertise with the psychotic criminal mind. And Viktor finds himself wrapped up in a case more terrifying than he could have ever imagined.

The first book in this thrilling, terrifying series by New York Times bestselling author Barry Lyga is perfect for fans of Dexter. It was a beautiful day. It was a beautiful field. Except for the body. Jazz is a likable teenager. A charmer, some might say. But he's also the son of the world's most infamous serial killer, and for Dear Old Dad, "Take Your Son to Work Day" was year-round. Jazz has witnessed crime scenes the way cops wish they could--from the criminals' point of view. And now, even though Dad has been in jail for years, bodies are piling up in the sleepy town of Lobo's Nod. Again. In an effort to prove murder doesn't run in the family, Jazz joins the police in the hunt for this new serial killer. But Jazz has a secret--could he be more like his father than anyone knows? From acclaimed author Barry Lyga comes a riveting thriller about a teenager trying to control his own destiny in the face of overwhelming odds.

This collection offers six critical essays on the topic of psychology in Edgar Allan Poe. It came together as a response to a visible absence of this subject in recent scholarship. The volume presents Edgar Allan Poe as one of the pioneers in psychology, who often anticipated major theoretical trends and ideas in psychology in his incessant explorations of the relationship between behavior and the psyche. Scrutinizing serial killer narratives, obsessive narratives through Jungian unconscious, Lacanian Das Ding, doppelgängers, intersubjectivity, and the interrelationship between the material world and imaginative faculties, the essays reveal the richness and the complexity of Poe's work and its pertinence to contemporary culture. With contributions by Gerardo Del Guercio, Phillip Grayson, Sean J. Kelly, Rachel McCoppin, Tatiana Prorokova, and Karen J. Renner.

The International Sensation It begins in a Stockholm city park where the abused body of a young boy is discovered. Detective Superintendent Jeanette Kihlberg heads the investigation, battling an apathetic prosecutor and a bureaucratic police force unwilling to devote resources to solving the murder of an immigrant child. But with the discovery of the mutilated corpses of two more children, it becomes clear that a serial killer is at large. Superintendent Kihlberg turns to therapist Sofia Zetterlund for her expertise in the psychopathology of those who kill, and the lives of the two women become quickly intertwined—professionally and personally. As they draw closer to each other and to the truth about the killings, what surfaces is the undeniable fact that these murders are only the most obvious evidence of an insidious evil woven deep into Swedish society.

Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.