Spencer loves movies, but real life is boring, right? When his late grandfather's will reveals the tasks he wants his grandsons to undertake, Spencer thinks he got screwed. He's not going to France or Spain or Africa. He's not even getting a cool tattoo, like his younger brother. No, he's going to Buffalo to get a kiss from an ancient movie star. Gross. And he's supposed to film it. Grosser. But Spencer hasn't bargained on Gloria Lorraine, star of the silver screen back in the day. Gloria has big plans—plans that involve her granddaughter AmberLea, a gun, a baker who might be a gangster, some real gangsters and a road trip to Nowheresville, Ontario. After being shot at, jumping into an icy lake and confronting some angry bikers, Spencer finally realizes that real life can be as exciting (and dangerous) as reel life. Spencer's adventures start in Speed, part of The Seven Prequels and continue in Coda, part of The Seven Sequels.

Ray had it all worked out. Go to India, take care of his father and return to his life in San Jose. His father would follow him in a couple of months and that would be that. But his father dies and Ray attributes it to bad luck. Things take a bizarre turn when an old friend tells him the reason behind his father's death. Ray finds himself drawn into the seedy under-belly of Tamil films and up against a man who will stop at nothing to get what he wants. Should Ray go back to his meticulously constructed life in the US? Or should he throw all plans aside and take on the man responsible for breaking into his father's heart and stealing his mind? Jump Cut is a genre-defying page-turner that is at once funny, moving and suspenseful, all leading to a deliciously satisfying climax with a sting in its tail.

During his 40-year career, the author became one of the industry's most respected television editors, receiving seven Emmy nominations and winning four of the coveted awards. But it was as a master of the jump cut--an editing style in which a sudden cut from one shot to another is made without a fadeout--that he is most remembered, and the term became his nickname. Mr. Schneider worked on many of Bob Hope's shows over the years, but it was for Laugh-In that he fully developed his editing style. This is a behind-the-scenes look at the development of television, from the days when some editing was done with a razor blade and tape to the electronic editing of today. Along the way, Mr. Schneider remembers the stars he worked with, from Gene Kelly to Redd Foxx.

The second novel based on the hit CBS series. The BAU is called to help Chicago detectives investigate a series of bizarre murders. The killings seem unrelated, until profiler David Rossi makes the connection: the scenes are modeled after three notorious serial killers. Original.

Film is an art form with a language and an aesthetic all its own, and since 1979 David Bordwell and Kristin Thompson's Film Art has been the most repected introduction to the art and analysis of cinema. In the new seventh edition, Film Art continues its commitment to providing the best introduction to the fundamentals of serious film study - images throughout the book are collected from actual film frames, not from production stills or advertising photos - but the book has been extensively re-designed to improve readability and teachability. Additionally, the text can be packaged with the award-winning Film, Form, and Culture CD-ROM, and is supported by an extensive Instructor's Manual and text-specific website.

This is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years). Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood. There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers. The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.

The Technique of Film & Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Analyses of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This new edition has been updated to include the latest advances in digital video and nonlinear editing and explores the new trend of documentary as mainstream entertainment, using films such as "Farenheit 9/11" and "The Fog of War" as examples.