The guitar lessons of Julio Sagreras are among the most universally used collections of guitar music and represent a milestone in didactic guitar literature. This book, which includes the first three volumes of the original six-volume series, is an ideal introduction to classical guitar playing as well as to LatinAmerican guitar music. Text written in English and Spanish with French and German translations in an appendix at the back of the book

The guitar lessons of Julio Sagreras are among the most universally used collections of guitar music and represent a milestone in didactic guitar literature. This book, which includes the first three volumes of the original six-volume series, is an ideal introduction to classical guitar playing as well as to Latin American guitar music. Text written in English and Spanish with French and German translations in an appendix at the back of the book.

Spanish émigré guitarist Celedonio Romero gave his American debut performance on a June evening in 1958. In the sixty years since, the Romero Family—Celedonio, his wife Angelita, sons Celín, Pepe, and Angel, as well as grandsons Celino and Lito—have become preeminent in the world of Spanish flamenco and classical guitar in the United States. Walter Aaron Clark's in-depth research and unprecedented access to his subjects have produced the consummate biography of the Romero family. Clark examines the full story of their genius for making music, from their outsider's struggle to gain respect for the Spanish guitar to the ins and outs of making a living as musicians. As he shows, their concerts and recordings, behind-the-scenes musical careers, and teaching have reshaped their instrument's very history. At the same time, the Romeros have organized festivals and encouraged leading composers to write works for guitar as part of a tireless, lifelong effort to promote the guitar and expand its repertoire. Entertaining and intimate, Los Romeros opens up the personal world and unfettered artistry of one family and its tremendous influence on American musical culture.

This book was written for the student who wants to learn to play flamenco guitar correctly in the shortest time possible. A fanciful historical essay on the origins of the flamenco style begins this modest 32-page volume. Several of the most common techniques are used in the various introductory pieces, including various forms of rasgueos and the 4-note tremolo. Classical guitarists with 1-2 years of experience will enjoy these challenging exercises and pieces. All studies and solos are shown in notation and tablature, and are included on the enclosed CD.

The primary aim of this book is to help the reader to understand the language of music and how it works in relation to the guitar. It is not intended as a substitute for all other lines of study, but it will provide a basic knowledge that can be expanded and developed. the reader is urged to read as wide a range of books as possible and to examine whatever music he or she possesses to identify further examples of the points discussed. the examples should be played and carefully listened to. the study of music is sterile if confined to making marks on paper, no matter how well understood intellectually; no real value attaches to a theoretical study of music unless it is directly related to aural experience and its value is reduced further if it is not related to the music of one's instrument.Contents include Musical Sounds and Their Origins, the Organization of single notes, Melody, Intervals, the Beginning of Harmony-Triads, Functional Harmony and Cadences, Primary Harmony and Cadences, Primary Triads and Substitution, Modulation and Transition, Secondary Sevenths, Other Diatonic Secondary Sevenths, the Cadential Six-four, the Dominant Ninth, Secondary Ninths, Chords of the Eleventh and Thirteenth, Chromatic Alteration of Diatonic Chords, chromatic Harmony, Remote Modulation, Pedal Points, and Steps Beyond

Here in a single volume is the original guitar method of Mateo Carcassi (1792-1853) translated to ENGLISH and SPANISH and published with his famous "25 Studies". Although regarded as moderately archaic in terms of modern guitar technique, Carcassi's time- proven method is second to none in its presentation of a graded learning system featuring scales, exercises, and engaging compositions in various keys. Written in standard notation only.

This book is considered to be the largest selling basic guitar chord book ever published! Twelve basic guitar chord types are shown in three ways: photograph, notation, and chord diagram. In addition, a special bonus section is contained showing in photo and diagram the essential moveable rhythm guitar chord forms. This special section contains the basics of Mel Bay's acclaimed Rhythm Chord Playing System showing the guitarist how to finger numerous advanced chord forms with a minimum of hand movement! Chords shown in photo, notation, and diagram form include Major, Minor, Dominant Seventh, Diminished, Augmented, Ninth, Major Seventh, Minor Seventh, Seventh #5, Seventh b5, Sixth and Minor Sixth. Chords are shown in the bonus Moveable Rhythm Chord section include Major, Minor, 7th, Minor 7th, 7sus4, 7b5, 7#5, Minor 7b5, Sixth, Minor 6th, Diminished 7th, Diminished add 9, 9th, Minor 9th, 9b5, 9#5, Minor 9b5, 7th b9, 7th b9#5, 11th, 9 add 6, Minor 9 add 6, 13th, 13sus11, 13 b9, 13th b9 b5. Includes access to an online instructional video.