This book, which accompanies a retrospective exhibition on the Julien Levy Gallery in New York, includes reproductions of paintings, photographs, and film stills from museum and private collections, aswell as of art and ephemera from Levy's own collection.

Introduction by Ingrid Schaffner.

This short and sweet--and astonishingly beautiful--book of photographs by the Tokyo-born and based Takashi Homma features 32 color images, primarily of the artist's daughter, although there are also some cityscapes and interiors that round out the story with perfect pitch. Homma offers an extremely well calibrated selection of images of his daughter from her first months to about age six: we see her sitting in her high chair; at a picnic; peeking through the car window; and taking some pictures of her own. Luminous, loving and relaxed, these portraits welcome the reader into the artist's inner world without giving anything away. "Tokyo and My Daughter," featuring one of the best family dog pictures ever, is published in the same series as Nieves' "Kim Gordon: Chronicles Vol.1, Mike Mills: Humans," and "Yukari Miyagi: Rabbit & Turtle." Homma has published his work in many international magazines and exhibited worldwide.

This monograph investigates the work of the Belgian Surrealist painter Paul Delvaux, a colleague of Rene Magritte's whose best-known works feature odd groupings of female nudes who stare into space, transfixed, while making enigmatic gestures in Surreally mismatched settings--for example while walking down an empty street, reclining in a train station or gathering in a complex of classical buildings. Sometimes these haunting muses wander through space accompanied by a skeletons; other times, they sit silently in long and sombre Puritanical dresses, as if serving out a penance.

Written in 1936, this work was compiled by a key Surrealist entrepreneur to promote the movement in America. It includes: sculpture by Duchamp and Oppenheim; photographs by Atget and Man Ray; poems by Peret and Picasso; paintings by Arp, Magritte and Miro; and essays by Breton and Bachelard.

Converging looks gathers emblematic images of the 20th century, the work of three great masters of photography: Henri Cartier-Bresson, Walker Evans and Manuel Álvarez Bravo. The book is published in line with the exhibition of the Museum of the Palace of Fine Arts in Mexico City, which echoes the historic exhibition dedicated to the same photographers at the Julien Levy Gallerry (New York, 1935). The texts propose a critical and historical reading of the photographs, within the scope of their vast universal resonances.