In a Spanglish-speaking land, Juanita disguises herself as a man to escape the wrath of her lover Ignacio's father. Masquerading as a "new" Don Juan, she careens through the city and seduces Alejandra, a wealthy art collector, Tomas, a leather bar patron and Beatriz, an innocent, society bride, who all fall instantly in love with him/her. Juanita's romp soon lands her squarely at the feet of Don Juan himself as she struggles to find true love. "The power of language creates worlds, realms and most importantly, relationships ... that power is evident as Juanita, a young woman living in a Spanglish-speaking land, tries on a different persona in order to escape from her lover's angry father and potential shame in her community." -Elaine Noble, Nevada Today "Throughout the play, 'Don Juanita' draws more and more attention to herself, attracting the love and care of a multitude of people along the way. The social aspects of the play are fascinating because Juanita basically tries to deconstruct what being a Don Juan is and strives to create a better version of him." -Juan Lopez, The Nevada Sagebrush"

Centers on the extended visit of Helen Wentworth, a New England teacher, to a childhood friend's plantation, where she witnesses African slaves' arrivals and their sale and gross mistreatment at the hands of coffee and sugar planters. Juanita is a beautiful mulatta slave with whom the plantation owner's son falls in love. Extending the tradition of Gothic fiction in the Americas, Mann's novel raises questions about the relation of slavery in the Caribbean to that in the United States, and between romance and race, adding an important element to our understanding of nineteenth-century American literature.

Teresa of Jesus of the Andes was the first Chilean saint when she was canonized in 1993 by Pope St. John Paul II. In 1919, she entered the Discalced Carmelites of Santiago at age eighteen and died only eleven months later. An inspiration to young people, she lived a vibrant social life amidst school, sports, music, and friends, all the while being completely devoted to her faith. This volume, first published in 1989, contains both a biography written by Father Michael Griffin, O.C.D., and his translation of the saint’s personal diary. Father Griffin’s biography captures the whole of St. Teresa’s life, including her spiritual development up until her early death as a young nun. Her personal diary shows a young woman striving after holiness and a deep relationship with God. Also included are a full chronology of her life and the two homilies of Pope St. John Paul II given at her beatification and canonization. This book is a reprint of the 1993 edition by Teresian Charism Press. About the Author Fr. Michael D. Griffin, O.C.D., (1924–2016) was born in Philadelphia, Pa., and entered the Discalced Carmelites when he was eighteen years old. Ordained to the priesthood in 1950, Father Michael served as a moral theology professor and later as a chaplain at the National Institutes of Health in Washington, D.C. He spent much of his life promoting the cause of St. Teresa of Jesus of the Andes through his books and speaking engagements.

A review of the precedents from 1936 through the 100th Congress. Earlier precedents are: Hinds' Precedents, 1907-1908, and Cannon's Precedents, 1935-1941.

In the Fall of 1857, some 120 California-bound emigrants were killed in lonely Mountain Meadows in southern Utah; only eighteen young children were spared. The men on the ground after the bloody deed took an oath that they would never mention the event again, either in public or in private. The leaders of the Mormon church also counseled silence. The first report, soon after the massacre, described it as an Indian onslaught at which a few white men were present, only one of whom, John D. Lee, was actually named. With admirable scholarship, Mrs. Brooks has traced the background of conflict, analyzed the emotional climate at the time, pointed up the social and military organization in Utah, and revealed the forces which culminated in the great tragedy at Mountain Meadows. The result is a near-classic treatment which neither smears nor clears the participants as individuals. It portrays an atmosphere of war hysteria, whipped up by recitals of past persecutions and the vision of an approaching "army" coming to drive the Mormons from their homes.