The first historical account of visual art inspired by James Joyce. At once a comprehensive and selective study, it focuses on the most original, provocative and best-informed artists who took an interest in Joyce. With over 200 reproductions in colo

A full-color guide teachers budding artists how to paint beautiful scenes with 12 step-by-step demonstrations from a master artist.

A Portrait of the Artist as a Young Man [1916] established James Joyce as a leading figure in literary modernism across Europe. The novel is set in the author’s homeland, Ireland, and narrates, in five episodes, the childhood of Stephen Dedalus. The plot is entirely based on Joyce’s own life and serves as a private manifesto, particularly through its sharp declaration of independence from Catholicism. Joyce pioneered a new way of writing novels, abandoning traditional narration for stream of consciousness and introducing his epiphanies—momentary revelations that, in their everydayness, hint at a larger context of life. Upon the recommendation of the American poet Ezra Pound, A Portrait of the Artist as a Young Man was serialized in the magazine The Egoist in 1914/15 before being published as a book the following year. Today, more than a hundred years after its release, A Portrait of the Artist as a Young Man is considered one of the most significant autobiographical texts in world literature. The Modern Library ranked it as the 3rd best English-language novel of the 20th century (with Joyce’s Ulysses as #1). JAMES JOYCE [1882-1941], Irish author, is a key figure in modernist literature with works such as Dubliners [1914], A Portrait of the Artist as a Young Man [1916], and Ulysses [1922].

Joyce’s prismatic art reverberates within and across multiple genres. The essays in this volume reflect on Joycean re-tailorings, Joycean reception, and on the Joycean aesthetic metamorphosis in visual-textual imagery, visual art, music, TV and film.

David Hockney is as fascinating as he is articulate on ways of seeing, and in this impressive book he leads us on an artistic journey where anything is possible. He considers the influence of Picasso and Rembrandt and speaks of Eastern conventions and perspective and of their relevance to his work. He points to Laurel and Hardy's lasting appeal in his conviction that popularity and art are not incompatible. Hockney and his work have long been the subjects of controversy; few twentieth century artists have so successfully surmounted their cult image for three decades, and he remains one of our most relentlessly dedicated, versatile and original painters.

The remarkable story of “outsider” artist Judith Scott, who was institutionalized for more than thirty years before being reunited with her sister From birth, fraternal twins Judith and Joyce Scott lived as if they were one person in two bodies, understanding instinctively what the other wanted and felt, despite the fact that Judy had Down syndrome, profound deafness, and never learned to speak or sign. But this idyllic childhood of color, texture, and feeling ended abruptly when, at age seven, Judy was taken from their shared bed while Joyce slept, not knowing that the wholeness they had known was being shattered. For the next three decades, Joyce is left without her other half and must grieve unexpected loss while navigating her relationship with an emotionally distant mother—alone. Even so, her life parallels her twin’s in surprising ways. While in college, Joyce too is sent away, pressured to relinquish the secret daughter she bore in hiding to adoption. Decades later, Joyce resolves to reunite with her sister and fill their remaining years with joy. After overcoming legal hurdles to become Judy’s legal guardian, she enrolls her in an art center for adults with disabilities in Oakland, California. Judy is hesitant at first, but after two years of uninterested painting and drawing, her untapped creativity suddenly ignites when she is introduced to fiber art, and she begins carefully and intentionally winding yarn and other materials around combinations of found objects. With unflagging intensity, Judy works five days a week for the next eighteen years, producing more than two-hundred astoundingly diverse fiber sculptures. Unconcerned with her growing fame, she remains fully immersed in her artistic vision until her death in 2005. Today, Judith Scott’s work is displayed in museums and galleries around the world, in some of the most prestigious collections of contemporary art. Entwined is a penetrating personal narrative that explores a complex world of disability, loss, reunion, and the resiliency of the human spirit. Part memoir, part biography, Entwined is a poignant and astonishing story about sisters finding their voices in each other’s love and through art.

This strikingly illustrated edition presents Joyce’s epic novel in a new, more accessible light, while showcasing the incredible talent of a leading Spanish artist. The neo-figurative artist Eduardo Arroyo (1937–2018), regarded today as one of the greatest Spanish painters of his generation, dreamed of illustrating James Joyce’s Ulysses. Although he began work on the project in 1989, it was never published during his lifetime: Stephen James Joyce, Joyce’s grandson and the infamously protective executor of his estate, refused to allow it, arguing that his grandfather would never have wanted the novel illustrated. In fact, a limited run appeared in 1935 with lithographs by Henri Matisse, which reportedly infuriated Joyce when he realized that Matisse, not having actually read the book, had merely depicted scenes from Homer’s Odyssey. Now available for the first time in English, this unique edition of the classic novel features three hundred images created by Arroyo—vibrant, eclectic drawings, paintings, and collages that reflect and amplify the energy of Joyce’s writing.