"An indispensable guide." Richard Lederer, author of The Write Way, Sleeping Dogs Don't Lay, and Comma Sense --

Contains chapters on writing news; writing features; writing reviews; style and a glossary of terms used by journalists.

ABOUT THE BOOK "Basic Grammar for Journalistic Writing: An Introductory Text" is relevant in the enrichment of writing and speaking skills of journalists and all other learners of English Grammar. Most books on journalistic writing treat stages and appeals in writing but neglect practical application of grammar and mechanics. However, this book takes excellent steps in surmounting the challenge most students and even professionals of journalism and English Grammar have in writing good stories and articles as regards grammar and mechanics. It gives due consideration to the general structure of English Grammar, squeezing the numerous rules on usages into a better understandable number. The book vividly treats English Grammar in the first five chapters and then delves into application of the rules of grammar in writing journalistic forms - news, feature, editorial, commentary, column, interpretation, investigation and review. This resource material also treats how high school students can identify grammatical names and functions of certain expressions in examination situations and otherwise. The practical application of the basics of English Grammar in sample pieces (including online pieces) makes the book "a must read" for students of Mass Communication, trained journalists, English Language Instructors, Citizen Journalists (ordinary people who report events on the internet) and all learners of English Grammar.

An encounter between philosophy and journalism recurs across the modern philosophical tradition. Images of reporters and newspaper readers, messengers and town criers, announcements and rumors populate the work of such thinkers as Kierkegaard, Nietzsche, and Benjamin. This book argues that these three thinkers’ preoccupation with journalism cannot be separated from their philosophy “proper” but plays a pivotal role in their philosophical work, where it marks an important nexus between their theories of history, time, and language. Journalism, in the tradition Vandeputte brings to light, figures before anything else as a cipher of the time in which philosophy is written. If the journalist and newspaper reader characterize what Kierkegaard calls “the present age,” that is because they exemplify a present marked by the crisis of the philosophy of history—a time after the demise of history as a philosophizable concept. In different ways, the pages of the newspaper appear in the European philosophical tradition as a site where teleological and totalizing representations of history must founder, together with the conceptions of progress and development that sustain them. But journalism does not simply mark the end of philosophy; for Kierkegaard, Nietzsche, and Benjamin, journalistic writing also takes on an exemplary role in the attempt to think time and history in the wake of this demise. The concepts around which these attempts crystallize—Kierkegaard’s “instant,” Nietzsche’s “untimeliness,” and Benjamin’s “actuality”—all emerge from the philosophical confrontation with journalism and its characteristic temporalities.

America's Best Newspaper Writing represents the "best-of-the-best" from 25 years of the American Society of Newspaper Editors (ASNE) Distinguished Writing Awards competition. With an emphasis on local reporting, new stories including more on crisis coverage, and pedagogical tools to help students become better writers, the second edition is the most useful and up-to-date anthology available for feature writing and introduction to journalism classes.