This book considers journalism in all its diversity, examining writing in journals across the cultural spectrum including literary journals, magazines and daily newspapers.

Born in 1871, Stephen Crane came of age when the mass-circulation newspapers began to attract readers with stories about urban life that resembled realist fiction. Although Henry James and William Dean Howells attacked the "new journalism" for blurring the boundary between newspaper and novel, younger writers like Crane, Willa Cather, and Katherine Anne Porter began to play the role of journalist as literary artist. When Crane's The Red Badge of Courage was published in 1895, it was a revelation to readers: as H. L. Mencken said, the book's release "lifted newspaper reporting to the level of a romantic craft, alongside counterfeiting and mining in the Klondike". Michael Robertson presents the first critical study of Stephen Crane's journalism and the broad climate of change that had begun to blur the line between nonfiction writing and fiction in Crane's era. Robertson provides fascinating insight into the masculine aesthetic Crane championed in his urban reportage, travel writing, and war correspondence, in contrast to an increasingly popular feminized image of artists and writers. Robertson also explores the life and work of two writers directly influenced by Crane: Ernest Hemingway and Theodore Dreiser. In this lucid cultural history, Robertson goes beyond biography and literary criticism to trace a literary revolution that, as little studied as it has been, is a resonating strain in the genealogy of modern American literature.

The author explores the role of journalism in Egypt in effecting and promoting the development of modern Arabic literature from its inception in the mid-nineteenth century to the present day. Remapping the literary scene in Egypt over recent decades, Kendall focuses on the independent, frequently dissident, journals that were the real hotbed of innovative literary activity and which made a lasting impact by propelling Arabic literature into the post-modern era.

Much like the Information Age of the twenty-first century, the Industrial Age was a period of great social changes brought about by rapid industrialization and urbanization, speed of travel, and global communications. The literature, medicine, science, and popular journalism of the nineteenth century attempted to diagnose problems of the mind and body that such drastic transformations were thought to generate: a range of conditions or “diseases of modernity” resulting from specific changes in the social and physical environment. The alarmist rhetoric of newspapers and popular periodicals, advertising various “neurotic remedies,” in turn inspired a new class of physicians and quack medical practices devoted to the treatment and perpetuation of such conditions. Anxious Times examines perceptions of the pressures of modern life and their impact on bodily and mental health in nineteenth-century Britain. The authors explore anxieties stemming from the potentially harmful impact of new technologies, changing work and leisure practices, and evolving cultural pressures and expectations within rapidly changing external environments. Their work reveals how an earlier age confronted the challenges of seemingly unprecedented change, and diagnosed transformations in both the culture of the era and the life of the mind.

This critical study of Stephen Crane's journalism examines the climate of change that had begun to blur the line between non-fiction writing and fiction in Crane's era and provides insight into the masculine aesthetic Crane championed in his urban reportage, travel writing and war correspondence.

The first of its kind, this collection will explore the ways that literature and journalism have intersected in the work of American writers. Covering the impact of the newspaper on Whitman's poetry, nineteenth-century reporters' fabrications, and Stephen Colbert's alternative journalism, this book will illuminate and inform.