“The Stone Men are coming!” The people of Lystmar learn to fear these words as their lands are invaded by brutal creatures. The Stone Men rampage across the countryside, leaving death and broken lives behind them. As the Kingdom fights for its survival, one young man finds himself thrust into a quest to find and destroy the source of this blood thirsty evil.

The epic of King Gesar of Ling is the national oral epic of Tibet, sung by itinerant bards in their land for many centuries but not recorded in print until recent times. Spreading widely beyond Tibet, there are extant versions in other languages of Central Asia. The first printed version is from Mongolia, produced on the orders of the Kangxi emperor of the Manchu Qing dynasty in the early 18th century. In the process of transmission, the original saga lost much of its Tibetan flavour, and this Qing edition can be regarded as a genuine Mongolian work. Its hero, Geser Khan in Mongolian, became a folk-hero, later deified both in China and Mongolia. Geser’s mission is to save the world from endemic evil and strife, bringing peace to all. Although he himself is the son of a god, Geser as a human is unpredictable, romantic and funny, and many of his adventures belong to the picaresque. This translation of the first, and one of the longest, chapters of the epic covers his miraculous birth, his turbulent youth, and his marriage to the beautiful Rogmo Goa. It celebrates and commemorates the 300th anniversary of the printing of the epic in Peking in early 1716.

Two aspirants are recruited into the Grey Knights, and must hone their psychic talents if they are to join the hallowed and mysterious ranks of the Space Marine daemon hunters. The Grey Knights are all that stands between mankind and the ravages of Chaos. Since their secretive beginnings during the Horus Heresy, these legendary Space Marine daemon hunters have journeyed into the dark realms of the warp – and beyond – in pursuit of their supernatural enemies. Through an intensive regime of psychic training, new recruits are brought to the clandestine fortress of Titan to join the hallowed and vaunted ranks of the 666th Chapter. More than ever, these legendary battle-brothers must be vigilant and ever ready to defend the Imperium for the forces of Chaos are never truly defeated, and Armageddon beckons'

This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more.

A Grammar of Modern Indo-European is a complete reference guide to a modern, revived Indo-European language. It contains a comprehensive description of Proto-Indo-European grammar and offers an analysis of the complexities of the prehistoric language and its reconstruction. Written in a fresh and accessible style, this book focuses on the real patterns of use in a modern Europe's Indo-European language. The book is well organized and is filled with full, clear explanations of areas of confusion and difficulty. It also includes an extensive bilingual dictionary, etymological notes, and numbered paragraphs designed to provide readers easy access to the information they require. An essential reference source for the learner and user of Indo-European, this book will be the standard work for years to come.