The loving, witty, yet brutally honest memoir of the daughter of comedy legend Richard Pryor. Rain Pryor was born in the idealistic, free-love 1960s. Her mother was a Jewish go-go dancer who wanted a tribe of rainbow children. Rain’s father was Richard Pryor, perhaps the most compelling and brilliant comedian of his era, a man whose self-destructiveness was as legendary as his groundbreaking comedy. Jokes My Father Never Taught Me is an intimate, harrowing, poignant, and often hilarious memoir that explores the divided heritage and the forces that shaped a wildly schizophrenic childhood. It is the story of a girl who grew up adoring her father even as she feared him—and feared for him, as his drug problems got worse. Both lovingly told and painfully frank, it is an unprecedented look at the life of a comedy icon, told by a daughter who both understood the genius and knew the tortured man within. Praise for Jokes My Father Never Taught Me “Rain Pryor pulls no punches . . . Using the same profanity-laced wit her father perfected, she unspools darkly comic stories . . . but never devolves into self-pity or bitterness.” —Entertainment Weekly “Vital, entertaining and appalling, Pryor has fleshed out a familiar dysfunctional family refrain—”It was a lot easier to love him if you didn’t know him”—with bravery and wit.” —Publishers Weekly

Recommended by the National Library Board, Singapore and Ministry of Communications and Information A woman learns of a friend’s illness and wonders if she ever truly knew him. A boy who sees ghosts heeds the advice of a fortune-teller, with surprising consequences. A girl wakes up and realises everybody in her Bedok neighbourhood has vanished. From Cyril Wong, award-winning author of The Last Lesson of Mrs de Souza, comes another beautiful book about characters in crisis, with two stories crossing intriguingly into creative autobiography.

“Like the YouTube channel, this is a touching yet informative guide for those seeking fatherly advice, or even a few good dad jokes.” — Library Journal

A #1 New York Times bestselling author traces her father’s life from turn-of-the-century Warsaw to New York City in an intimate memoir about family, memory, and the stories we tell. “An accomplished, clear-eyed, and affecting memoir about a man who is at once ordinary and extraordinary.”—Forward Long before she was the acclaimed author of a groundbreaking book about women and men, praised by Oliver Sacks for having “a novelist’s ear for the way people speak,” Deborah Tannen was a girl who adored her father. Though he was often absent during her childhood, she was profoundly influenced by his gift for writing and storytelling. As she grew up and he grew older, she spent countless hours recording conversations with her father for the account of his life she had promised him she’d write. But when he hands Tannen journals he kept in his youth, and she discovers letters he saved from a woman he might have married instead of her mother, she is forced to rethink her assumptions about her father’s life and her parents’ marriage. In this memoir, Tannen embarks on the poignant, yet perilous, quest to piece together the puzzle of her father’s life. Beginning with his astonishingly vivid memories of the Hasidic community in Warsaw, where he was born in 1908, she traces his journey: from arriving in New York City in 1920 to quitting high school at fourteen to support his mother and sister, through a vast array of jobs, including prison guard and gun-toting alcohol tax inspector, to eventually establishing the largest workers’ compensation law practice in New York and running for Congress. As Tannen comes to better understand her father’s—and her own—relationship to Judaism, she uncovers aspects of his life she would never have imagined. Finding My Father is a memoir of Eli Tannen’s life and the ways in which it reflects the near century that he lived. Even more than that, it’s an unflinching account of a daughter’s struggle to see her father clearly, to know him more deeply, and to find a more truthful story about her family and herself.

Pryor tells the story of his life, from his childhood in Peoria, Illinois, through his growth as a comedian, to his battle with addiction and, in later years, multiple sclerosis.

Provides a rare glimpse into the life of an outrageously human, fearlessly black, openly angry and profanely outspoken comedic genius whose humble beginnings as the child of a prostitute helped shaped him into one of the most influential and outstanding performers of our time.

“Hold tight. The way to go mad without losing your mind is sometimes unruly.” So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as “rage,” and any drastic deviation from psychosocial norms. With care and verve, he explores the mad in the literature of Amiri Baraka, Gayl Jones, and Ntozake Shange; in the jazz repertoires of Buddy Bolden, Sun Ra, and Charles Mingus; in the comedic performances of Richard Pryor and Dave Chappelle; in the protest music of Nina Simone, Lauryn Hill, and Kendrick Lamar, and beyond. These artists activate madness as content, form, aesthetic, strategy, philosophy, and energy in an enduring black radical tradition. Joining this tradition, Bruce mobilizes a set of interpretive practices, affective dispositions, political principles, and existential orientations that he calls “mad methodology.” Ultimately, How to Go Mad without Losing Your Mind is both a study and an act of critical, ethical, radical madness.