JoJo and friends are primed for pumpkin spice and everything nice! JoJo's BFF, Miley, is planning her annual Halloween party; and as part of the fall fun, JoJo and her crew decide to hold a costume contest! They'll keep their outfits a secret until the night of the big bash, when they'll crown a winner. The only question on their minds: How much glitter is too much glitter? (Answer: No such thing!) To spark their imaginations the group goes apple picking, hops aboard a haunted hayride, and taste tests an array of pumpkin-themed goodies. When the big day finally arrives, JoJo and her friends show up at Miley's party ready to wow the competition. Even BowBow is dressed to impress! But who is the mysterious party guest in the ghost costume, and what tricks--or treats--do they have up their spooky sleeves?

Theorists emphasize the necessity of writing about—or witnessing—trauma in order to overcome it. To this critical conversation, Reading Testimony, Witnessing Trauma: Confronting Race, Gender, and Violence in American Literature treats reader response to traumatic and testimonial literature written by and about African American women and adds insight into the engagement of testimonial literature. Eden Wales Freedman articulates a theory of reading (or dual-witnessing) that explores how narrators and readers can witness trauma together. She places these original theories of traumatic reception in conversation with the African American literary tradition to speak to the histories, cultures, and traumas of African Americans, particularly the repercussions of slavery, as witnessed in African American literature. The volume also considers intersections of race and gender and how narrators and readers can cross such constructs to witness collectively. Reading Testimony, Witnessing Trauma’s innovative examinations of raced-gendered intersections open and speak with those works that promote dual-witnessing through the fraught (literary) histories of race and gender relations in America. To explicate how dual-witnessing converses with American literature, race theory, and gender criticism, the book analyzes emancipatory narratives by Sojourner Truth, Harriet Jacobs, and Elizabeth Keckley and novels by William Faulkner, Zora Neale Hurston, Margaret Walker, Toni Morrison, and Jesmyn Ward.

"JoJo Siwa and her trusty sidekick, a teacup Yorkie named BowBow, are used to being center stage. So when her neighborhood throws a block party, it's a no-brainer: before hitting up the nacho stand and bouncy castle, JoJo and the Siwanatorz will perform on stage for everyone they know! It'll be the best show yet! But as unexpected challenges pop up--the neighborhood bullies slime their costumes, the microphones stop working, and her best friend gets cold feet--JoJo shows the Siwanatorz what stars are really made of: kindness, courage, and a whole lot of fun"--

An early work from the New York Times bestselling author of The Giver of Stars and the forthcoming Someone Else's Shoes, Jojo Moyes, the story of a young woman who opens an eclectic shop and comes to terms with the secrets of her past. In the sixties, Athene Forster was the most glamorous girl of her generation. Nicknamed the Last Deb, she was also beautiful, spoiled, and out of control. When she agreed to marry the gorgeous young heir Douglas Fairley-Hulme, her parents breathed a sigh of relief. But within two years, rumors had begun to circulate about Athene's affair with a young salesman. Thirty-five years later, Suzanna Peacock is struggling with her notorious mother's legacy. The only place Suzanna finds comfort is in The Peacock Emporium, the beautiful coffee bar and shop she opens that soon enchants her little town. There she makes perhaps the first real friends of her life, including Alejandro, a male midwife, escaping his own ghosts in Argentina. The specter of her mother still haunts Suzanna. But only by confronting both her family and her innermost self will she finally reckon with the past--and discover that the key to her history, and her happiness, may have been in front of her all along.

Ghost-writer Melody Layne is stranded in Paris when the over-sexed but unloved French movie star who hired her to produce his memoir accidentally drowns before the interviews begin. It's a major financial relief when his enigmatic Spanish son re-hires her, but the seductive Carlos Ortega is strangely silent about his reasons for funding a feel-good bio about a father that he clearly despised. There's enough amour in the air for Melody to ignore this apparent paradox… at least until she uncovers a hidden cache of death threats addressed to the actor. For the French police, the sexy, secretive Spaniard – and sole heir to the actor's immense fortune – is suddenly a prime murder suspect. Can Melody's research into the Ghosts of Carlos-Past be enough to save her lover from prison?

This edited collection responds to Richard Kearney’s recent work on touch, excarnation, and embodiment, as well as his broader work in carnal hermeneutics, which sets the stage for his return to and retrieval of the senses of the lived body. Here, fourteen scholars engage the breadth and depth of Kearney’s work to illuminate our experience of the body. The chapters collected within take up a wide variety of subjects, from nature and non-human animals to our experience of the sacred and the demonic, and from art’s account of touching to the political implications of various types of embodiment. Featuring also an inspired new reflection from Kearney himself, in which he lays out his vision for “anacarnation,” this volume is an important statement about the centrality of touch and embodiment in our experience, and a reminder that, despite the excarnating tendencies of contemporary life, the lived body remains a touchstone for wisdom in our increasingly complicated and fragile world. Written for scholars and students interested in touch, embodiment, phenomenology, and hermeneutics, this diverse and challenging collection contributes to a growing field of scholarship that recognizes and attempts to correct the excarnating trends in philosophy and in culture at large.

Nickelodeon superstar JoJo Siwa's Sweet Adventures continue in graphic novel form! On a trip to the science center, JoJo was shocked to discover the time machine wasn't just an exhibit. Whoops--it actually works! JoJo and friends end up skipping throughout time--meeting icons of history like Japanese haiku legend Basho and playing ball with All-American Girls Professional Baseball League. But how can they ever get back to their correct time period? Can important scientists like Ada Lovelace or Katherine Johnson help JoJo and her friends? But first, can they also take a peek at some dinosaurs before they get home? Because . . . dinosaurs!!!!!