Slippery Jim DiGriz. The galaxy's greatest thief and con artist: the Stainless Steel Rat. For novel upon novel, Jim DiGriz has outfoxed the forces of conventionality, cutting a stylish swathe through dozens of star systems. Now, Slippery Jim and his beautiful wife Angelina find themselves becalmed on a painfully boring backwater planet, with nothing to do but practice their skills at computer crime. Then they meet a billionaire who claims to be 40,000 years old--who offers them millions of credits to investigate a string of unsolved interstellar bank robberies. Robberies which, it turns out, always happen when the circus is nearby. . . . In a sense, The Stainless Steel Rat has always been a high-wire performer. Now, as he infiltrates the world of the galactic big top, he's taking the role to extremes . . . and drawing the attention of more dangerous ringmasters and strongmen than he ever expected. Will this be his final show? Has Slippery Jim finally leapt for his last trapeze? Naaah. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The nineteenth century saw the American circus move from a reviled and rejected form of entertainment to the “Greatest Show on Earth.” Circus Life by Micah D. Childress looks at this transition from the perspective of the people who owned and worked in circuses and how they responded to the new incentives that rapid industrialization made possible. The circus has long been a subject of fascination for many, as evidenced by the millions of Americans that have attended circus performances over many decades since 1870, when the circus established itself as a truly unique entertainment enterprise. Yet the few analyses of the circus that do exist have only examined the circus as its own closed microcosm—the “circus family.” Circus Life, on the other hand, places circus employees in the larger context of the history of US workers and corporate America. Focusing on the circus as a business-entertainment venture, Childress pushes the scholarship on circuses to new depths, examining the performers, managers, and laborers’ lives and how the circus evolved as it grew in popularity over time. Beginning with circuses in the antebellum era, Childress examines changes in circuses as gender balances shifted, industrialization influenced the nature of shows, and customers and crowds became increasingly more middle-class. As a study in sport and social history, Childress’s account demonstrates how the itinerant nature of the circus drew specific types of workers and performers, and how the circus was internally in constant upheaval due to the changing profile of its patrons and a changing economy. MICAH D. CHILDRESS received his PhD in history from Purdue University and currently works as a Realtor® in Grand Rapids, Michigan. His articles have appeared in Popular Entertainment Studies and American Studies.

From the 1870s to the 1960s, circuses crisscrossed the nation providing entertainment. A unique workforce of human and animal laborers from around the world put on the show. They also formed the backbone of a tented entertainment industry that raised new questions about what constituted work and who counted as a worker. Andrea Ringer examines the industry-wide circus world--the collection of shows that traveled by rail, wagon, steamboat, and car--and the traditional and nontraditional laborers who created it. Performers and their onstage labor played an integral part in the popularity of the circus. But behind the scenes, other laborers performed the endless menial tasks that kept the show on the road. Circus operators regulated employee behavior both inside and outside the tent even as the employees themselves blurred the line between leisure and labor until, in all parts of the show, the workers could not escape their work. Illuminating and vivid, Circus World delves into the gender, class, and even species concerns within an extinct way of life.

Live It Up! is the perfect book for anyone who wants to get the most out of life. Filled with 50 things you always wanted to do (but never had the nerve to try), this book gives you step-by-step methods for how to accomplish your goals. Everything from starting your own business to joining the Peace Corps to pitching your own TV show is made easy with this informative and interesting guide.

Once upon a time, kids used to dream of running away to join the circus and travel the world, but now that’s out of date. Young Todd Cooper has a new dream: Run away and join the Doodah Brothers’ Astral Traveling Entertainment and Fun Brigade, traveling from planet to planet with its incredible cast of Greebles, Flurps, Bearded Plankton, and Klone-Klowns—and avoiding the deadly Sky-Pirates! The hilarious sci-fi misadventure from multiple Eisner winners Sergio Aragonés and Mark Evanier, with colors by Tom Luth, and award-winning lettering by Stan Sakai! Collects Space Circus comics #1–#4.

A Choice Outstanding Academic Title 2019 This book documents and discusses the meaning(s) of the creative process at play in the crafting and staging of circus acts. It highlights the experience of circus artists as their skills develop and mature into public performances that create aesthetic and emotional values in the modern economy of live spectacles. It scrutinizes the meaning that circus acts produce for the spectators and for the artists themselves who live this process from the inside. This is a book for those studying semiotics and wanting to see it applied to a real life milieu in accessible and passionate prose. The Meaning of the Circus is grounded on the personal experience of Professor Paul Bouissac as both a circus entrepreneur and a researcher with decades of primary material on the significance of past and contemporary circus acts. It is based on substantial accounts provided by many men and women who have agreed to share the challenges, joys, and anxieties of their life as artists. Personal and rigorous, it contributes to the hermeneutics of the circus arts by adding existential depth to the production and reception of their performances.

If you've been waiting for a saint that cries like a schoolgirl, was once an aspiring rapper, is a really good kisser, and rode an elephant in the circus...then your prayers have been answered! Lino Rulli is hilarious, brutally honest, and ready for his canonization. Saint picks up where Sinner left off. Lino's stories of triumph and failure suggest that you might not be as big a sinner as you think. And that, with God's grace, you might just become a saint.