This book is about a young boy during the Civil War who is living in the Ozark Mountains of Arkansas. He saves his family from jayhawkers.

Across Death Valley tells the remarkable story of one woman’s brave struggle to keep her family alive during one of the most arduous and dramatic episodes in the history of Western migration. A riveting narrative by a writer known for her books on pioneers, Across Death Valley is a fictionalized account based on the true story of the legendary journey that Juliet Wells Brier, her husband, and their three sons undertook during the Gold Rush from Salt Lake City to the settlement of Los Angeles. Departing Salt Lake City via wagon train, the Briers had been promised an easy trip along the well-traveled Old Spanish Trail to California. But, after several agonizing weeks, some of the families—the Briers included—broke off from the main group to continue on an unmapped shortcut. As hardships mounted they splintered into smaller groups until, finally, the Briers were traveling alone. Their chosen route led directly into Death Valley—eventually, on foot. Diminutive Julia piggybacked her youngest son even when she was near death from thirst and exhaustion. Rich in compelling detail, Across Death Valley is an unforgettable tale of courage, love, and hope.

Harry Dean Stanton (1926–2017) got his start in Hollywood in TV productions such as Zane Grey Theater and Gunsmoke. After a series of minor parts in forgettable westerns, he gradually began to get film roles that showcased his laid-back acting style, appearing in Cool Hand Luke (1967), Kelly's Heroes (1970), The Godfather: Part II (1974), and Alien (1979). He became a headliner in the eighties—starring in Wim Wenders's moving Paris, Texas (1984) and Alex Cox's Repo Man (1984)—but it was his extraordinary skill as a character actor that established him as a revered cult figure and kept him in demand throughout his career. Joseph B. Atkins unwinds Stanton's enigmatic persona in the first biography of the man Vanity Fair memorialized as "the philosopher poet of character acting." He sheds light on Stanton's early life in West Irvine, Kentucky, exploring his difficult relationship with his Baptist parents, his service in the Navy, and the events that inspired him to drop out of college and pursue acting. Atkins also chronicles Stanton's early years in California, describing how he honed his craft at the renowned Pasadena Playhouse before breaking into television and movies. In addition to examining the actor's acclaimed body of work, Atkins also explores Harry Dean Stanton as a Hollywood legend, following his years rooming with Jack Nicholson, partying with David Crosby and Mama Cass, jogging with Bob Dylan, and playing poker with John Huston. "HD Stanton" was scratched onto the wall of a jail cell in Easy Rider (1969) and painted on an exterior concrete wall in Drive, He Said (1971). Critic Roger Ebert so admired the actor that he suggested the "Stanton-Walsh Rule," which states that "no movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad." Harry Dean Stanton is often remembered for his crowd-pleasing roles in movies like Pretty in Pink (1986) or Escape from New York (1981), but this impassioned biography illuminates the entirety of his incredible sixty-year career. Drawing on interviews with the actor's friends, family, and colleagues, this much-needed book offers an unprecedented look at a beloved figure.

"[These volumes] are endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.

Brockley Whin arrives in Blackwater with a reputation as a gunfighter, but whose side is he on in the growing struggle between the biggest ranch, the Forked Lightning, and the smaller ranches, led by Jubal Crossan of the Circle C? His former compadre, Amery Tasker, runs the Forked Lightning, but, much as old loyalties count, from the moment he rescues young Jeb Crossan and his girl from Tasker's gunslicks, Brockley has a tough choice to make. Making that choice and following it through leads him to a decisive shootout before his final face-to-face encounter with Tasker and his own past.

Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.