More widely studied and more frequently performed than ever before, John Webster's The Duchess of Malfi is here presented in an accessible and thoroughly up-to-date edition. Based on the Revels Plays text, the notes have been augmented to cast further light both on Webster's amazing dialogue and on the stage action. An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action. From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.

Here, Webster presents a trinitarian theology of holiness, which is aimed at a wide range of audiences, including ordinands, students of theology and interested laypeople. According to this account, God's holiness is known not in his simple transcendence but in his gracious and free relationship to his creatures. That holiness finds an echo in the holiness of the Christian community, especially in worship and witness, and in the life of the individual disciple. Integrating biblical, dogmatic and practical theology, the book - which is based on the Day-Higginbotham lectures delivered in the University of Toronto in 2002 - offers a succinct account of a central theme in Christian teaching and practice.

The Art of John Webster, first published in 1972, is a study of the three extant plays of Webster known to be solely his work. These plays are seen as attempts to achieve in literature the effects of the baroque, a term which related Webster to the larger developments of European art. Their content is analysed in terms of a consistent opposition between evil and the law. The book seeks to re-establish a base for the claims that must be made for Webster as a serious artist. This title will be of interest to students of literature and drama.

This introduction locates Webster's plays within the context of the culture from which they sprang. Examining the uncertain political, religious, and economic climate of Jacobean London, the book offers a guide to one of the most distinctive, yet most elu

May we speak, in the present age, of holy scripture? And what validation of that claim can be offered, robust enough to hold good for both religious practice and intellectual enquiry? John Webster argues that while any understanding of scripture must subject it to proper textual and historical interrogation, it is necessary at the same time to acknowledge the special character of scriptural writing. His 2003 book is an exercise in Christian dogmatics, a loud reaffirmation of the triune God at the heart of a scripture-based Christianity. But it is written with intellectual rigour by a theologian who understands the currents of modern secular thought and is able to work from them towards a constructive position on biblical authority. It will resonate with anyone who has wondered or worried about the grounds on which we may validly regard the Bible as God's direct communication with humanity.

The book brings together a set of related studies on the nature of Scripture and of Christian theology by one of the most prominent representatives of Protestant theology of our time. After a brief introduction on the setting of the book and its major themes, the first part of the volume examines topics on the nature and interpretation of Scripture. A comprehensive proposal about Scripture and its interpretation is followed by a study of Scripture as the embassy of the risen Christ, and by three related chapters analyzing the ways in which widely different major modern theologians (Barth, T.F. Torrance and Rowan Williams) have understood the nature and interpretation of the Bible. The second part of the volume makes a cumulative proposal about the nature and tasks of Christian theology, examining the fundamental principles of systematic theology, the distinctive role and scope of reason in Christian theology, the relation of theology to the humanities, and the vocation of theology to promote the peace of the church.

An overview and analysis of John Webster’s seminal contributions to Christian theology At the time of his death, John Webster was widely hailed as one of the leading Christian theologians in the world. Over the course of three decades, he produced groundbreaking studies on the theologies of Eberhard Jüngel and Karl Barth and, especially since the turn of the millennium, numerous books and essays on various themes in Christian dogmatics. He then intended to write an encyclopedic systematic theology—a project he was unable to complete. No substitute is possible for that lost opus, but the contributors offer this volume as an homage to Webster and an aid to those who want to learn from him. A Companion to the Theology of John Webster begins with an introductory section on Webster’s theological development, then continues into an extensive overview of Webster’s contributions to contemporary discussions of particular doctrines. An epilogue suggests how Webster’s theology might have unfolded had he lived longer and imagines the continuing influence of his work on the enterprise of Christian dogmatics. Readers hoping to understand the legacy of this great theologian, and also those eager for fresh insights into the present state and future trajectories of contemporary Protestantism, will find much to offer here.