The Power of Conferences: Stories of serendipity, innovation and driving social change asks ten notable Australians to reflect on the role that conferences have played in their personal and professional achievements. Through their stories the power of conferences is revealed, providing evidence of a deep and lasting impact on the development and success of Australian luminaries and their communities. This book arose from a long term collaboration with Business Events Sydney.

‘Let fly jib sheet! Slack away main! Fenders out!’ Dick and Dorothea – also known as The Ds – arrive in Norfolk all ready to learn how to sail. They couldn’t hope for a better teacher than Tom Dudgeon. But Tom is in a spot of trouble. After seeing the beastly Margoletta moored clean across the nests of his beloved coots, Tom set the motorcruiser adrift. Now the enemy have offered a bounty on his head. Can they save the birds’ nest from almost certain destruction? Will they avoid being caught by the awful Hullabaloos? Only some brave friends and quick thinking stands between them and disaster... Includes exclusive material: In ‘The Backstory’ you can test your knowledge of the book, learn about the adventurous author and get some handy facts about birds and boats. Vintage Children’s Classics is a twenty-first century classics list aimed at 8-12 year olds and the adults in their lives. Discover timeless favourites from The Jungle Book and Alice’s Adventures in Wonderland to modern classics such as The Boy in the Striped Pyjamas and The Curious Incident of the Dog in the Night-Time.

Architecture through Drawing examines how drawing - as both action and object - encapsulates complex ideas relating to culture, technology, space and the built environment. Bringing together an array of beautiful and rarely seen drawings dating from the sixteenth century to the present day, all representing different geographical locations, techniques, methodologies and purposes, the book defines a new field for the subject of the drawing in architecture. It reveals the motives for architectural drawing beyond the requirement to document the processes that underpin the realisation of the architectural object. This book asks, fundamentally, whether drawings can illuminate new interpretations of architectural experimentation. Examples range from initial sketches by architects to analytical and construction drawings, perspectives and schematics, collage and more complex presentations and paintings often carried out in association with others. Dialogues include Fabrizio Ballabio on Filippo Juvarra's Ottoboni Theatre; Desley Luscombe on Ludwig Mies van der Rohe; Mark Dorrian on Michael Webb; Nicholas Olsberg on Victorian architects William Butterfield, Norman Shaw and GE Street; Charles Rice on James Gowan; Laurent Stalder on perspective in postwar housing; Helen Thomas on the covers of San Rocco; John Macarthur on clouds; Markus Lähteenmaäki on Superstudio; and Erik Wegerhoff on the Viennese Auto-Expander. The volume is rounded off with an epilogue, 'The Limits of Drawing', by Adrian Forty and Sophie Read.