JOHN SEVERIN'S BILLY THE KID VOLUME 1 Return to those thrilling days of yesteryear when the Old West was wild and when Western comics proliferated the media landscape! Here is Volume 1, a collection of Charlton Comics BILLY THE KID series drawn by one of the industry's greatest illustrators, JOHN SEVERIN. All pages shot from Charlton's original printing sources and recolored by Severin's former editor and collaborator MORT TODD. A thrilling 64 page collection for all cowboy and Severin fans! Also features an article on the artist along with a biographical comic strip by RUSS HEATH plus an original cover gallery! All the pages in JOHN SEVERIN'S BILLY THE KID are shot from Charlton's original printing sources and recolored by Severin's former editor and collaborator MORT TODD. JOHN SEVERIN'S BILLY THE KID Volume 1 is a 64 page color comic bonanza by one of the most prolific writers of the western comics genre JOE GILL with art by the legendary JOHN SEVERIN! BILLY THE KID Volume 2 also available as well as a collected black and white edition!

At last Lucky Luke is getting a hardback collected edition, with the first adventures of the Lonesome Cowboy. After 70 years of life and almost 70 translated volumes, it was high time English-speaking readers were offered a hardback collected edition. This first volume contains the first seven adventures of Lucky Luke, previously published as volumes Arizona, Rodeo and Dick Digger’s Gold Mine, and offers an unrivalled insight into the evolution of the character in terms of design as well as personality. The extras available make up a whooping 48 pages of illustrations, photographs, biographies, essays and anecdotes on Morris and the origins of Luke. A must read for any true fan of this legend of the West!

Heard about Mad? Sad? Don't be! Get GLAD with this new collection of rarely seen art by one of their greatest illustrators, done outside his work at Mad magazine. The book is a treasure trove of rare humor comics mostly unseen for over 30 years from the pages of Mad's #1 competitor, Cracked magazine. They are curated by two folks with Cracked bona fides, Mark Arnold, author of the definitive two volume history of the magazine If You're Cracked, You're Happy!, and Mort Todd, the former Editor-in-Chief of the magazine during one of its most creative periods. The comics presented are from the 1950s and 1960s during the title's early years and while John Severin was at the top of his game as a creator. There are TV and movie parodies, tons of celebrities, along with satire on current events, trends and culture of the era. Mark Arnold provides an informative introduction to The Comedy of John Severin and features an afterword by Mort Todd reflecting on Severin and the magazine's legacy. The Comedy of John Severin is a 107 page volume in glorious vintage black & white! The book features a gorgeous array of their work, showcasing the many mediums he worked in, from pen and ink, wash, guoache, duoshade paper, zipatone and color paintings as they applied it to tweaking a variety of amusing topics. Also available: The Comedy of Jack Davis

Jesse James: The Classic Western Collection" presents the classic 1950s outlaw stories of the heroic Jesse James, who rode a hard road through the Old West to become a legend. The brainchild of two young creators at the beginning of their careers, this graphic novel features pulse-pounding tales.

A true legend isn't made, it's born. His name was Johnny Bart, but most everybody called him Rawhide Kid. Where he was from and where he would remain, like most legends, is cloaked in mystery. But one thing was for sure: if the Kid rides into the town, things would never be the same again.

Heard about Mad? Sad? Don't be! Get GLAD with this new collection of rarely seen art by one of their greatest illustrators, done outside their work at Mad magazine. The book is a treasure trove of rare humor comics mostly unseen for over 30 years from the pages of Mad's #1 competitor, Cracked magazine. They are curated by two folks with Cracked bona fides, Mark Arnold, author of the definitive two volume history of the magazine If You're Cracked, You're Happy!, and Mort Todd, the former Editor-in-Chief of the magazine during one of its most creative periods. The comics presented are from the 1950s and 1960s during the title's early years and while Jack Davis was at the top of his game as a creator. There are TV and movie parodies, tons of celebrities, along with satire on current events, trends and culture of the era.Bhob Stewart, author of The Life and Legend of Wallace Wood, has an in-depth overview of the career of the artist in The Comedy of Jack Davis. The book features an afterword by Mort Todd reflecting on Davis and the magazine's legacy. The Comedy of Jack Davis is 100 pages, all in glorious vintage black & white! The book features a gorgeous array of his work, showcasing the many mediums they work in, from pen and ink, wash, guoache, duoshade paper, zipatone and color paintings as they applied it to tweaking a variety of amusing topics. Also available: The Comedy of John Severin.

A history of American Western genre comics and how they interacted with contemporaneous political and popular culture. Redrawing the Western charts a history of the Western genre in American comics from the late 1800s through the 1970s and beyond. Encompassing the core years in which the genre was forged and prospered in a range of popular media, Grady engages with several key historical timeframes, from the origins of the Western in the nineteenth-century illustrated press; through fin de siècle anxieties with the closing of the frontier, and the centrality of cowboy adventure across the interwar, postwar, and high Cold War years; to the revisions of the genre in the wake of the Vietnam War and the Western’s continued vitality in contemporary comics storytelling. In its study of stories about vengeance, conquest, and justice on the contested frontier, Redrawing the Western highlights how the “simplistic” conflicts common in Western adventure comics could disguise highly political undercurrents, providing young readers with new ways to think about the contemporaneous social and political milieu. Besides tracing the history, forms, and politics of American Western comics in and around the twentieth century, William Grady offers an original reassessment of the important role of comics in the development of the Western genre, ranking them alongside popular fiction and film in the process.