This work describes how John Lingard (1771-1851) postulated and applied for the first time in England, the main principles and methodology of modern source criticism in his "History of England" (1819-30). His work is compared and contrasted with other English historians,

Serving as a kind of apology for Lingard, this volume follows the 19th-century English historian's career, with many quotes from his work, and frequent rejoinders on his astute perception of history, uncolored by nationalism, religious belief, or political inclination. Jones champions Lingard as a cool-headed revisionist when other historians were ardent nationalists. Jones wrote his dissertation on Lingard in the 1950s and returned to the practice of history (and historiography) following his retirement from a "30-year headship of a Comprehensive school in South Wales (UK)." Distributed by ISBS. Annotation copyrighted by Book News, Inc., Portland, OR

Born in the 1700s, John Lingard was an English historian, best known for his 8 volume series, The History of England: From the First Invasion by the Romans to the revolution in 1688. Most previously published biographies about Lingard present a fairly standard portrait of the historian as an unbiased filter of primary historical sources that are somehow allowed to speak for themselves. Thereby it is argued in these previous works that Lingard was a balanced historian.The aim of John Lingard: The Historian as Apologist however is to demonstrate that Lingard was a far more complicated author and character who, while he may have appeared unbiased to the Protestant and Catholic establishments, worked tirelessly to promote the acceptableness of Roman Catholics in the politically reforming climate of the early 19th century – without appearing to do so.Dr. Cattermole’s carefully researched biography will appeal to scholars and general readers who are interested in Roman Catholicism and the history of the 19th century.

For almost 400 years, Roman Catholics have been writing about the English Reformation, but their contributions have been largely ignored by the scholarly world and the reading public. Thus the myths of corrupt monasteries, a 'Bloody' Mary, and a 'Good' Queen Bess have established themselves in the popular mind. John Vidmar re-examines this literature systematically from the time of the Reformation itself, to the early 1950s, when Philip Hughes produced his monumental Reformation in England.

Two eminent scholars of historiography examine the concept of national identity through the key multi-volume histories of the last two hundred years. Starting with Hume’s History of England (1754–62), they explore the work of British historians whose work had a popular readership and an influence on succeeding generations of British children.

From the Wolfson Prize-winning author of God's Architect: Pugin and the Building of Romantic Britain Between the fall of the Bastille in 1789 and the opening of the Great Exhibition in 1851, history changed. The grand narratives of the Enlightenment, concerned with kings and statesmen, gave way to a new interest in the lives of ordinary people. Oral history, costume history, the history of food and furniture, of Gothic architecture, theatre and much else were explored as never before. Antiquarianism, the study of the material remains of the past, was not new, but now hundreds of men - and some women - became antiquaries and set about rediscovering their national history, in Britain, France and Germany. The Romantic age valued facts, but it also valued imagination and it brought both to the study of history. Among its achievements were the preservation of the Bayeux Tapestry, the analysis and dating of Gothic architecture, and the first publication of Beowulf. It dispelled old myths, and gave us new ones: Shakespeare's birthplace, clan tartans and the arrow in Harold's eye are among their legacies. From scholars to imposters the dozen or so antiquaries at the heart of this book show us history in the making.

In this wide-ranging book, Professor Eamon Duffy explores the broad sweep of the English Reformation, and the ways in which that Reformation has been written about. Tracing the fraught history of religious change in Tudor England, and the retellings of that history to shape a protestant national identity, once again he emphasizes the importance of the study of late medieval religion and material culture for our understanding of this most formative and fascinating of eras. Getting to grips with the misconceptions, discontinuities and dilemmas which have dogged the history of Tudor religion, he traces the lived experience of Catholicism in an age of upheaval: from what it meant to be a Catholic in early Tudor England; through the nature of militant Catholicism at the height of the conflict; to the after-life of Tudor Catholicism and the ways in which the 'old religion' was remembered and spoken about in the England of Shakespeare. Duffy writes at all times with grace, elegance and wit as he questions prejudices and myths about the Reformation, to demonstrate that the truth about the past is never pure nor simple.