John Crome and John Sell Cotman
Title | John Crome and John Sell Cotman PDF eBook |
Author | Laurence Binyon |
Publisher | |
Pages | 120 |
Release | 1897 |
Genre | Landscape painting |
ISBN |
Cotman in the North
Title | Cotman in the North PDF eBook |
Author | David Hill |
Publisher | Yale University Press |
Pages | 208 |
Release | 2005-01-01 |
Genre | Art |
ISBN | 0300107048 |
"Every major painting, related studies, and the author's own photographs of the locations in which Cotman worked are included in this book, as well as a wealth of new documentary evidence of his time with the Cholmeleys."--BOOK JACKET.
The Norwich School
Title | The Norwich School PDF eBook |
Author | Herbert Minton Cundall |
Publisher | |
Pages | 212 |
Release | 1920 |
Genre | Norwich school of painting |
ISBN |
Turner and Constable
Title | Turner and Constable PDF eBook |
Author | Michael Rosenthal |
Publisher | Tate |
Pages | 0 |
Release | 2014-05-06 |
Genre | Art |
ISBN | 9781849762069 |
Exploring the development, variety, and innovation of the landscape oil sketch, this book is generously illustrated with many masterpieces of 19th-century British landscape painting.
Guide to the Study of Norwich
Title | Guide to the Study of Norwich PDF eBook |
Author | Norwich (England). Public Libraries |
Publisher | |
Pages | 38 |
Release | 1914 |
Genre | Norwich (England) |
ISBN |
The Norwich School of Painting
Title | The Norwich School of Painting PDF eBook |
Author | William Frederick Dickes |
Publisher | |
Pages | 704 |
Release | 1906 |
Genre | Norwich school of painting |
ISBN |
A Century of British Painters
Title | A Century of British Painters PDF eBook |
Author | Richard Redgrave |
Publisher | Cornell University Press |
Pages | 628 |
Release | 1981 |
Genre | Painters |
ISBN | 9780801492174 |
In the 1860s, the brothers Richard and Samuel Redgrave sat down to write the book that was, in effect, the first popular account of British painting. With remarkable industry, they examined and sifted through the earlier studies and documentary sources while also contributing a great deal of firsthand knowledge. Many of the artists of the time were personal friends or acquaintances, and Richard Redgrave was a member of the Royal Academy.