It took 100 years to bring Edgar Rice Burroughs' John Carter of Mars to the big screen. It took Disney Studios just ten days to declare the film a flop and lock it away in the Disney vaults. How did this project, despite its quarter-billion dollar budget, the brilliance of director Andrew Stanton, and the creative talents of legendary Pixar Studios, become a calamity of historic proportions? Michael Sellers, a filmmaker and Hollywood insider himself, saw the disaster approaching and fought to save the project - but without success. In John Carter and the Gods of Hollywood, Sellers details every blunder and betrayal that led to the doom of the motion picture - and that left countless Hollywood careers in the wreckage. JOHN CARTER AND THE GODS OF HOLLYWOOD examines every aspect of Andrew Stanton's adaptation and Disney's marketing campaign and seeks to answer the question: What went wrong? it includes a history of Hollywood's 100 year effort to bring the film to the screen, and examines the global fan movement spawned by the film.

After the long exile on Earth, John Carter finally returned to his beloved Mars. But beautiful Dejah Thoris, the woman he loved, had vanished. Now he was trapped in the legendary Eden of Mars -- an Eden from which none ever escaped alive. The Gods of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the second of his Barsoom series. It was first published in The All-Story as a five-part serial in the issues for January-May 1913.[1] It was later published as a complete novel by A. C. McClurg in September, 1918. Excerpt: For moments after that awful laugh had ceased reverberating through the rocky room, Tars Tarkas and I stood in tense and expectant silence. But no further sound broke the stillness, nor within the range of our vision did aught move.At length Tars Tarkas laughed softly, after the manner of his strange kind when in the presence of the horrible or terrifying. It is not an hysterical laugh, but rather the genuine expression of the pleasure they derive from the things that move Earth men to loathing or to tears.Often and again have I seen them roll upon the ground in mad fits of uncontrollable mirth when witnessing the death agonies of women and little children beneath the torture of that hellish green Martian fete-the Great Games. I looked up at the Thark, a smile upon my own lips, for here in truth was greater need for a smiling face than a trembling chin.

News of the passing of a dear friend spurs John Carter, Warlord of Mars, to investigate a series of perplexing mysteries in the forbidding icy northern reaches of Barsoom. The enigmas only deepen as he embarks upon a journey to the far-flung treasure city of Gathol with his spirited daughter Tara and an unexpected stowaway. Ensnared in an insidious conspiracy that reaches from his early years on the Red Planet back into the dim recesses of the ancient past, John Carter and his trusted longsword are now all that stand in the way of a dread menace that threatens the existence of all life on Barsoom. Also includes the bonus novelette "Victory Harben: Stormwinds of Va-nah" by Ann Tonsor Zeddies Continuing her wayward journey upon the currents of spacetime, Victory Harben arrives in the strange hollow interior world of Va-nah from Edgar Rice Burroughs' classic The Moon Maid. Thrust into an uneasy alliance with a renegade Va-gas warrior and her young son, Victory must turn all her wits and skills toward survival-for she and her companions have been marked for death by the brutal the Kalkar soldiers under the reign of the vile tyrant Orthis. THE FIRST UNIVERSE OF ITS KIND A century before the term "crossover" became a buzzword in popular culture, Edgar Rice Burroughs created the first expansive, fully cohesive literary universe. Coexisting in this vast cosmos was a pantheon of immortal heroes and heroines--Tarzan of the Apes, Jane Clayton, John Carter, Dejah Thoris, Carson Napier, and David Innes being only the best known among them. In Burroughs' 80-plus novels, their epic adventures transported them to the strange and exotic worlds of Barsoom, Amtor, Pellucidar, Caspak, and Va-nah, as well as the lost civilizations of Earth and even realms beyond the farthest star. Now the Edgar Rice Burroughs Universe expands in an all-new series of canonical novels written by today's talented authors! SWORDS OF ETERNITY SUPER-ARC When an unknown force catapults inventors Jason Gridley and Victory Harben from their home in Pellucidar, separating them from each other and flinging them across space and time, they embark on a grand tour of strange, wondrous worlds. As their search for one another leads them to the realms of Amtor, Barsoom, and other worlds even more distant and outlandish, Jason and Victory will meet heroes and heroines of unparalleled courage and ability: Carson Napier, Tarzan, John Carter, and more. With the help of their intrepid allies, Jason and Victory will uncover a plot both insidious and unthinkable--one that threatens to tear apart the very fabric of the universe... The Swords of Eternity super-arc comes to our universe in a series of four interconnected novels: Carson of Venus: The Edge of All Worlds by Matt Betts Tarzan: Battle for Pellucidar by Win Scott Eckert John Carter of Mars: Gods of the Forgotten by Geary Gravel Victory Harben: Fires of Halos by Christopher Paul Carey (c) ERB, Inc. All rights reserved. All logos, characters, names, and the distinctive likenesses thereof are trademarks or registered trademarks of ERB, Inc.

Renowned Oscar-winning director Andrew Stanton (Pixar's Wall-E, Finding Nemo) takes his audience on a visual voyage through the world of John Carter. Now, in The Art of John Carter: A Visual Journey, take part of that adventure and discover the magic from behind the scenes and what it took to bring this century old tale to life!

Book One of the John Carter of Mars collections, this edition contains the original text from the first, second, and third of Edgar Rice Burrough's world-famous novels. Originally published from 1917 and 1919, A Princess of Mars, The Gods of Mars, and The Warlord of Mars are science-fiction classics, and the origin of Burroughs's legendary series.

Vancouver is now North America’s third largest center for film and television production, recently witnessing the filming of Halle Berry’s Catwoman and Will Smith’s I, Robot, among others. But Vancouver has been hosting filmmakers for years, coming into its own in the early 1970s when Robert Altman, Warren Beatty and Julie Christie made McCabe and Mrs. Miller and Mike Nichols, Jack Nicholson and Candice Bergen filmed Carnal Knowlege. Dreaming in the Rain tells the story of how Vancouver became North by Northwest, from its early days as a Hollywood studio backlot to its becoming home to a vibrant indigenous scene that is among the most acclaimed, provocative, independent filmmaking communities anywhere. But with Hollywood’s growing concern over “runaway” productions, Vancouver’s growing filmmaking scene is wrought with controversy. The city’s American-based film industry is powerful enough to inspire loathing and threats from Hollywood. Along with tracing the art and commerce of Vancouver filmmaking, Vancouver Province movie critic David Spaner brings to life the flamboyant film personalities who left their marks. From visitors like Errol Flynn and Robert Altman, to local heroes such as The Matrix’s Carrie Anne Moss, who grew up in Vancouver, and Kissed star Molly Parker and director Lynne Stopkewich, vital players in the groundbreaking Vancouver indie scene. Includes more than 40 black and white photographs. “. . . [Spaner] has . . . scrupulous attention to detail and an obvious curiosity and passion for both Vancouver and its film industry.”—Entertainment Today David Spaner is a movie critic for the Vancouver Province.

Carson Napier is headed to Mars, but a navagation problem lands him on Venus instead! Where he discovers that this supposidly uninhabited world is filled with people and danger!