The story of Warhol’s greatest superstar The renowned photographer Francesco Scavullo has called Joe Dallesandro “one of the ten most photogenic men in the world.” Springing to fame at the beginning of the sexual revolution in films such as Flesh, Trash, and Heat, Dallesandro, with the help of his mentor, Paul Morrissey, and pop artist Andy Warhol, became a male sex symbol in the film world unlike any before him. His casual nakedness and characteristic cool in the Warhol Factory’s irreverent, now-classic films earned attention that crossed gender lines and liberated the male nude as an object of beauty in the cinema. In this biofilmography, an update and revision of Little Joe, Superstar, Michael Ferguson explores not only Dallesandro’s Warhol years, but his troubled childhood on the streets of New York, in juvenile detention, as physique model, and on the run. Ferguson examines all of Dallesandro’s films: the eight made with Warhol and Morrissey, including the X-rated Frankenstein and Dracula, the post-Factory career in both art-world and low-budget films abroad, and his works as character actor upon his return to America. Including new interviews with Dallesandro, photographs from the actor’s personal collection, and an extensive biographical section, Joe Dallesandro is the ultimate guide to an underground film icon who, according to Andy Warhol, “everyone was in love with.”

Andy Warhol made him famous. The underground films,made him a sexual icon. Hos body made him a,legend. The enigmatic and sexy superstar of the,60's and 70's underground film movement at last,talks - in detail- about his life and career.,Named as one of the most photogenic men in world,by Francesco Scavullo, Joe Dallesandro has,developed a legion of fans worldwide, including a,substantial gay following that are eager to,purchase the first book written about this film,legend.

A vibrantly illustrated chain of entanglements (romantic and otherwise) between some of our best-loved writers and artists of the twentieth century--fascinating, scandalous, and surprising. Poet Robert Lowell died of a heart attack, clutching a portrait of his lover, Caroline Blackwood, painted by her ex-husband, Lucian Freud. Lowell was on his way to see his own ex-wife, Elizabeth Hardwick, who was a longtime friend of Mary McCarthy. McCarthy left the father of her child to marry Edmund Wilson, who had encouraged her writing, and had also brought critical attention to the fiction of Anaïs Nin . . . whom he later bedded. And so it goes, the long chain of love, affections, and artistic influences among writers, musicians, and artists that weaves its way through the The Art of the Affair--from Frida Kahlo to Colette to Hemingway to Dali; from Coco Chanel to Stravinsky to Miles Davis to Orson Welles. Scrupulously researched but playfully prurient, cleverly designed and colorfully illustrated, it's the perfect gift for your literary lover--and the perfect read for any good-natured gossip-monger.

“This series will be a significant, valuable contribution to the history and literature of gay cinema. Each of these works will be valuable additions for academic and popular students of film and gay culture.”—Library Journal Trash, one of three inaugural titles in Arsenal Pulp Press' new film book series Queer Film Classics, delves into the legendary 1970 film that was arguably the greatest collaboration between director Paul Morrissey and producer Andy Warhol. The film Trash is a down-and-out domestic melodrama about a decidedly eccentric couple: Joe, an impotent junkie (played by Warhol film regular Joe Dallesandro), and Holly, Joe's feisty and sexually frustrated girlfriend (played by trans Warhol superstar Holly Woodlawn). Joe is the hunky yet passive center around whom proud Holly orbits; while Morrissey intended to show that "there's no difference between a person using drugs and a piece of refuse," Woodlawn's incredible turn reverses his logic: she makes trash as precious as human beings. The book examines the film in the context of Morrissey and Warhol's legendary partnership, with a special focus on Woodlawn's acclaimed performance: a glorious embodiment of "trash" and glamour that was so stunning, director George Cukor led a campaign (albeit unsuccessful) to win her an Oscar nomination.

An icon of gay art and one of the most famous names in physique photography, Bruce Bellas is remembered as the pioneer of beefcake. Beginning in the 1940s and continuing until his death in 1974, he photographed some of the most important icons in the world of physical culture and body- building. Collected in this book are Bellas' rare photographs and films - the two volumes Inside and Outside comprise more than 100 colour images, masterfully restored as a limited edition, celebrating Bruce of Los Angeles and his refined, masterful aesthetic of erotica.

Factory Made: Warhol and the Sixties is a fascinating look at the avant-garde group that came together—from 1964 to 1968—as Andy Warhol’s Silver Factory, a cast that included Lou Reed, Nico, Edie Sedgwick, Gerard Malanga, Paul Morrissey, Joe Dallesandro, Billy Name, Candy Darling, Baby Jane Holzer, Brigid Berlin, Ultra Violet, and Viva. Steven Watson follows their diverse lives from childhood through their Factory years. He shows how this ever-changing mix of artists and poets, musicians and filmmakers, drag queens, society figures, and fashion models, all interacted at the Factory to create more than 500 films, the Velvet Underground, paintings and sculpture, and thousands of photographs. Between 1961 and 1964 Warhol produced his most iconic art: the Flower paintings, the Marilyns, the Campbell’s Soup Can paintings, and the Brillo Boxes. But it was his films—Sleep, Kiss, Empire, The Chelsea Girls, and Vinyl—that constituted his most prolific output in the mid-1960s, and with this book Watson points up the important and little-known interaction of the Factory with the New York avant-garde film world. Watson sets his story in the context of the revolutionary milieu of 1960s New York: the opening of Paul Young’s Paraphernalia, Truman Capote’s Black and White Ball, Max’s Kansas City, and the Beautiful People Party at the Factory, among many other events. Interspersed throughout are Watson’s trademark sociogram, more than 130 black-and-white photographs—some never before seen—and many sidebars of quotes and slang that help define the Warholian world. With Factory Made, Watson has focused on a moment that transformed the art and style of a generation.

The Wild Creatures brings together all the stories of Sam D'Allesandro, a young voice whose life was tragically snuffed out at age 31 at the height of the AIDS epidemic in 1988. This collection explores a strange terrain of urban legend, the power of sexual obsession, and the thin line where the too-cool becomes the too-hot.