My name is Kavya. That I can live with. My brother’s name is Dhrittiman. That I’m still trying to come to terms with. And I get the feeling he has a tough time coping with it too. But we’ll survive his name. We’ll survive the mortification of giving out an address that goes: 708, Kansas, Grand Canyon, Bangalore, India. I’ll survive the company of friends who think I’m a vampire at best and an axe murderer at worst. I’ll survive Kiran. I'll survive swimming sinking drowning in his blue eyes. And Dirtyman will keep himself sane watching Resident Evil. But what about the rest? What about a mother who’s out to cut us off from society? And a father who’d much rather cut himself off from us? What about the board exams that loom large while I paint kolam patterns on random walls? Basically can I please scratch my life out and start over?

The Indian English Novel of the New Millennium is a book of sixteen pieces of scholarly critique on recent Indian novels written in the English language; some on specific literary trends in fictional writing and others on individual texts published in the twenty-first century by contemporary Indian novelists such as Amitav Ghosh, Kiran Desai, Aravind Adiga, K. N. Daruwalla, Upamanyu Chatterjee, David Davidar, Esterine Kire Iralu, Siddharth Chowdhury and Chetan Bhagat. The volume focuses closely on the defining features of the different emerging forms of the Indian English novel, such as narratives of female subjectivity, crime fiction, terror novels, science fiction, campus novels, animal novels, graphic novels, disability texts, LGBT voices, dalit writing, slumdog narratives, eco-narratives, narratives of myth and fantasy, philosophical novels, historical novels, postcolonial and multicultural narratives, and Diaspora novels. A select bibliography of recent Indian English novels from 2001–2013 has been given especially for the convenience of the researchers. The book will be of great interest and benefit to college and university students and teachers of Indian English literature.

Something strange is happening in the heart of the British Empire. Nineteenth-century Calcutta is abuzz with social reforms, especially with regard to womens' rights and education. And in this time, Kadambini Ganguly dreams of going to university—and in the ultimate audacious hope—wants to become a doctor. But for many people, the idea of girls studying is anathema. And a school full of unmarried girls and widows getting an education, in an environment where caste is disregarded and every student treated as an equal, leads to charges of immorality. And the battle to get the right to a college education is against overwhelming odds. The fictionalised story of Kadambini, one of the first women graduates of the British Empire and the first woman to get a degree from an Indian medical college, is rivetingly told by Madhurima Vidyarthi, in a fascinating portrait of nineteenth century life, society and its arbitrary mores.

Abir Maqsood is angry. She has things to do: a career to carve, money to earn, and, in the small stuff, a dining table to fix. But there are many obstacles in the way: lack of money, her parents' over-protective attitude, and a most annoying distraction in class called Arsalan. When her mother is not paid her dues for her henna service, Abir resolves to help her by creating a henna app. Her college is also running a programme for student start-ups so things look most fortuitous. But the path to getting funding is littered with more thorns than roses. As Abir navigates through college, friendships and social pressures with determination, will she find the freedom that she is truly looking for?

Something strange is afoot in the kingdom of Pür. The most favoured suitor at Princess Vasundhara's swayamvara has disappeared ... A reclusive sorceress has emerged from the Eastern Isles ... The Inter-Realm Ambassador is furious ... A long-lost stone with dark powers must be found ... The Sprites are preparing for rebellion ... When dignitaries from all the Mortal Realms-and a few from the Inter-Realm-gather in Rajgir for a stressful swayamvara, only mayhem can ensue! Can Meenakshi and Kalban uncover Tara the Starchaser's dark legacy and prevent a war between the Realms? Book III in the Meandering Magicians series

A young kleptomaniac infuses thrill into her suffocating life by using her abaya to steal lipsticks and flash men. An office worker feels empowered through sex, shunning her inhibitions but not her hijab ... until she realizes that the real veil is drawn across her desires and not her body. A British-Asian Muslim girl finds herself drawn to the jihad in Syria only to realize the real fight is inside her. A young Pakistani bride in the West asserts her identity through the hijab in her new and unfamiliar surroundings, leading to unexpected consequences. The hijab constricts as it liberates. Not just a piece of garment, it is a worldview, an emblem of the assertion of a Muslim woman's identity, and equally a symbol of oppression. Set in Pakistan and the UK, this unusual and provocative collection of short stories explores the lives of women crushed under the weight of the all-encompassing veil and those who feel sheltered by it.

Things were never the same for five ordinary individuals who were lost at crossroads and there was no way back. They had no other choice but to take a plunge into their deepest fears and leave the rest to destiny. The individuals were tested away from their comfort zones and it produced abstruse results: a PhD scholar fights to win a pizza-making contest and a tennis prodigy runs for his life on a war-torn, bloodied Island. Extreme circumstances and their consequences made these ordinary individuals extraordinary. Was the test imposed on them by someone? Or did they invite it on themselves? Blue Moon Day is that Once in a Blue Moon story which questions an individual's priorities, ridicules worldly routines and finally redefines happiness.