Jingle Bones, an e-original Christmas story featuring Mississippi PI Sarah Booth Delaney, offers all the Southern charm and zany adventure Carolyn Haines's fans have come to expect--and more. Sarah Booth just wants the perfect Christmas holiday. Even with the dissolution of her engagement, she refuses to lose her Christmas spirit. But when Theodora Prince--an ex classmate and current Pastor's wife--comes calling with a year-old case and cash upfront, Sarah Booth must find the truth about the boys who ruined last year's Christmas pageant in time to stop them from doing it again.

O Christmas Tree, O Christmas Tree... what lurks among thy branches... Christmas can be the most wonderful time of the year. Candy canes and hot cocoa. Snowmen and sleigh rides. The love and hope that the Nativity brings. Cold milk and warm cookies for Santa. Family, friends, and the cheerful laughter of children. But, beneath the festive wrapping paper and the gleam and glitter of the lights and tinsel, things less jubilant may lie in wait. The holiday season can bring love, peace, and benevolence... but it may also spawn a darkness lurking amid the shadowy boughs of the Christmas tree, ornaments that should have never seen the light of day, let along hung on festive branches, and bones that jingle and dance, in search of Santa's crimson suit... and the flesh that resides within. In this collection of harrowing holiday tales, Ronald Kelly leaves ten frightful and horrific gifts in the Christmas stockings that hang from the mantle of your cheerful fireplace. Ghastly and gruesome presents that slowly unwrap and burst into life while you are tucked, snug and warm, in your bed and take on nightmarish form in the icy winter hours of Christmas Eve, turning comfort and joy into terror and dread. Stories included in this collection: Jingle Bones The Skating Pond Depravity Road Heirlooms The Winds Within Then Came a Woodsman As for Me, My Little Brain Beneath the Branches Papa’s Exile The Peddler’s Journey

A silly pirate skeleton seeks to put its bones back together in this rhyming romp beneath the waves. Cast a spyglass ’round here while breakers curl and pound here. There’s treasure to be found here — I feel it in my bones! A stormy night at sea has uncovered some long-buried secrets and surprises. Is that the mast of a shipwreck? A faded pirate hat? And what’s that hiding in the sand? A mandible and a clavicle, phalanges and femurs, a tibia and a fibula — could there be a set of bones scattered across the ocean floor? And who might they belong to? A jaunty rhyme takes readers on an underwater scavenger hunt as a comical skeleton tries to put itself back together piece by piece. Make no bones about it: this rollicking read-aloud will have young ones learning anatomy without even realizing it.

Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records. Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio. Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down. Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. Mouse Tracks is a collector's bonanza of information on this little-analyzed side of the Disney empire. Learn more about the book and the authors at www.mousetracksonline.com.

These jingles were written by a child for children. The young author does not expect that any one will imagine they were intended to be a contribution to poetry or literature. They will be of interest to adults principally as an illustration of the way a child's mind views some of the every-day situations of life. Grown people will also be interested to see how easily a young child can put facts into the jingle form when freedom of expression is acquired early. Those who have read Mrs. Stoner's Natural Education will recall that Winifred learned almost as a babe to use the typewriter. This helped her in her spelling and composition, so that she gained ease and freedom in expressing herself on any topic that she understood. She wrote out everything she learned so that she might the better get a grasp of it and remember it. And she found that when some kinds of facts were put together in a jingle they could be fixed with less effort and retained more securely than if they were learned in the ordinary way-by rote and without any method of organization.