Comic books have increasingly become a vehicle for serious social commentary and, specifically, for innovative religious thought. Practitioners of both traditional religions and new religious movements have begun to employ comics as a missionary tool, while humanists and religious progressives use comics' unique fusion of text and image to criticize traditional theologies and to offer alternatives. Addressing the increasing fervor with which the public has come to view comics as an art form and Americans' fraught but passionate relationship with religion, Graven Images explores with real insight the roles of religion in comic books and graphic novels. In essays by scholars and comics creators, Graven Images observes the frequency with which religious material—in devout, educational, satirical, or critical contexts—occurs in both independent and mainstream comics. Contributors identify the unique advantages of the comics medium for religious messages; analyze how comics communicate such messages; place the religious messages contained in comic books in appropriate cultural, social, and historical frameworks; and articulate the significance of the innovative theologies being developed in comics.

Jimbo's Inferno is the hugely anticipated sequel (or prequel, as it was actually completed first) to Jimbo In Purgatory. In this volume, produced to the same exacting standards as 2004's Purgatory, Jimbo, accompanied by his trusty guide and ride Valise, visits Hell (here envisioned as a gigantic subterranean shopping mall called Focky Bocky), and in so doing runs across minotaurs, drug-addled punkettes, UFOs, giant robots, and more, leading him to such profound questions as, "Why do so many recreational activities involve smoke and heat?"

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial} In this spectacular graphic novel, Panter has transformed his protean punk hero Jimbo into the protagonist of a reinterpretation of Dante's Purgatorio. After years of comparing Dante and Boccaccio to find commonalities between the two, Panter developed a narrative of his own that includes literary and pop references regularly injected throughout the captions of the reinterpreted cantos.

A comprehensive study of cannibalism in literature and film, spanning colonial fiction, Gothic texts and contemporary American horror. Amidst the sharp teeth and horrific appetite of the cannibal, this book examines real fears of over-consumerism and consumption that trouble an ever-growing modern world.

I don't know where he lost his way, but we've been made to pay the price. To bear the burden of his … love. A sickening feeling stirs deep inside each time he looks at me because I know what it means. I have to follow the rules; be his good girl. It's the only way to survive in this house. Being in the dark never scared me, being alone was something I used to cherish until he began to use it against me. Against us. I just want to find the light now. The place where I know his darkness can't reach. A place where maybe everything will make sense one day, but for now, I have to be strong. I won't fall down again. I can't. Not before I find my peace there. I have to do it soon because I'm not sure how much more I can take.

No lavatory is complete without a Profanisaurus! After all, what else could you read whilst you're sitting on the 'chod bin' trying not to 'breach the hull' or commit a 'Wee-Harvey Oswald'? Don't know the difference between 'stabbing the cat' and 'feeding the ducks'? Don't know when to take a 'monkey's fag break? You need Roger's Profanisaurus - the ultimate in schoolboy humour (that is definitely not for children). Roger Mellie presents this updated dictionary of swearing that gives a hilarious new angle to many previously innocently-used words. New vastly expanded edition. Completely revised and updated. An entertaining glossary of vulgarity, expletives, colourful obscenity and downright filth; Ideal for use in the home and office