In this richly illustrated book, art historian and design expert Marjan Unger tells the story of jewellery. She places jewels in the context of the people who wore them, their culture and their time, and interlaces surprising perspectives from art history, fashion theory and anthropology with the cultural, historical and social values and material characteristics of the jewellery. Unger advocates a universal approach to this cultural heritage that is being produced and worn all over the world. She uses the rich collection of the Rijksmuseum Amsterdam to guide and illustrate her comprehensive and gripping tale. Every piece of jewellery shines in its own way! Hence, every jewel is portrayed at its true size (sometimes with enlarged details) to show the intimacy of the jewel and its proportion to the human body. With this book, designer Irma Boom has set an iconic standard for jewellery publications. The book is a feast for the eye and an important reference work for anyone interested in jewellery, fashion and design.

Things: In Touch with the Past explores the value of artifacts that have survived from the past and that can be said to embody their histories. Such genuine or real things afford a particular kind of aesthetic experience-an encounter with the past-despite the fact that genuineness is not a perceptually detectable property. Although it often goes unnoticed, the sense of touch underlies such encounters, even though one is often not permitted literal touch. Carolyn Korsmeyer begins her account with the claim that wonder or marvel at old things fits within an experiential account of the aesthetic. She then presents her main argument regarding the role of touch-both when literal contact is made and when proximity suffices, for touch is a fundamental sense that registers bodily position and location. Correct understanding of the identity of objects is presumed when one values things just because of what they are, and with discovery that a mistake has been made, admiration is often withdrawn. Far from undermining the importance of the genuine, these errors of identification confirm it. Korsmeyer elaborates this position with a comparison between valuing artifacts and valuing persons. She also considers the ethical issues of genuineness, for artifacts can be harmed in various ways ranging from vandalism to botched restoration. She examines the differences between a real thing and a replica in detail, making it clear that genuineness comes in degrees. Her final chapter reviews the ontology that best suits an account of persistence over time of things that are valued for being the real thing.

A guide for improving a woman's physical and mental health from age 35 and on. It covers topics of vital interest to perimenopausal and postmenopausal women: hot flashes, vaginal dryness, poor sleep, memory loss, mood changes, depression, hormone replacement therapy, sleep, diet, exercise, weight control, and healthy sex.

Meet Denise Wilson, a fairly conventional woman whose successful but uninspiring life is about to be turned upside down. Her partner of fifteen years has decided shes not the right girl for him. He wants options. Simultaneously, the housing bubble bursts and with it goes her six-figure job as an interior designer for a large spec builder. At age fifty shes faced with a blank sheet of life in front of her and not a single idea what to do with it. So she buys a ticket to Maui. Nothing Matters is an entertaining spiritual road trip taken with a good friend. It has all the requisite elements of a good story: quirky characters, serendipitous events and an unexpected ending, all told with a deft sense of humor. Nothing Matters is the literary equivalent of Eat, Love, Pray running smack-dab into The Power of Now. Part travelogue, part transformational journey, Nothing Matters puts the light back in enlightenment.

SOMA - 100 Heritage Recipes for Self-Care, is an homage to the fragrant years of my childhood spent with my grandmother. It is an offering to her tender, yet strong hands that made those bitter, yet healing concoctions, pastes, and oils. It is in gratitude to my mother (and all those who mothered) whose nurturing and caring hands made those healing salves and healing soups. It is a collection of those secret recipes that are passed on from generation to generation. It is so that those heritage formulas shared by my Guru, which have transformative and nourishing properties, benefit many. It is so that her Yogic revelations are not lost in the crease of time. It is to live by and open the doors to the heritage recipes of kitchen pharmacy and Yogic Wisdom. These are the fragrant flowers that I picked in my childhood and growing years, it is these drops of nectar that I still yearn to collect, live, and pass on. Each of these 100 recipes is picked carefully for you, dear reader, to bring ease in pain, peace to an ailing heart, and rest to the tired bodies. May each recipe open the doors of healing, self-empowerment, peace, and rest for you. May you pass on this book as a heritage to the generations to come. May we never hoard the pearls of wisdom, but share them responsibly and tend to the eternal flame of life. My humble bows to all those who mother, who insist on sharing, and those who keep this ancient healing wisdom alive. SOMA means tender, soft, radiant rays of the moon. It is the nectar of the moon. When the mind is peaceful, it called saumya which means “moon-like.” The tender, gentle, benevolent, kind love and nourishing care of someone who mothers is called saumyata.