For Jethro Tull, 1975 would prove to be a fascinating year. With Aqualung and Thick As A Brick behind them, and with A Passion Play and War Child having been met with a mixed critical reception, their next album, Minstrel In The Gallery is the product of a band who kept on going and who weren't afraid to explore. Minstrel In The Gallery is abundant in innovative musical ideas and insightful lyrics. Recorded in sunny Monte Carlo and described by Sounds as "a pleasant surprise", the album is a fascinating combination of acoustic and heavy rock teamed with a strings section, and of course, flute. In this book, author Laura Shenton MA LLCM DipRSL offers an in depth perspective on Minstrel In The Gallery from a range of angles including how the album came to be, how it was presented and received at the time (live as well as on record), and what it means in terms of Jethro Tull's legacy today.

Jethro Tull was one of the truly innovative rock bands to emerge from the late 1960s. At their peak the idiosyncratic group, fronted by multi-instrumentalist Ian Anderson, resembled a troupe of roving English minstrels. Crafting a signature progressive rock sound that resisted easy categorization, they were often derided by critics as too British, too eccentric, too theatrical. Over the span of a decade, Tull released a string of sublime albums featuring intricate compositions in a wide range of musical styles, with little regard for the showbiz maxim "give the public what it wants." Focusing on the years 1968-1980, this history includes insider accounts based on exclusive interviews with key members and rare photographs from Ian Anderson's personal collection.

Originally formed by singer-songwriter Ian Anderson in psychedelic 1968, the band Jethro Tull has been recording its own kind of rock and roll and touring the globe for more than three decades. This is a history of the band through the present, written by an acquaintance of several of its members. The book includes a chronology of all of the band's recordings and information on all accompanying tours, with the author's critiques as well as the band's own reminiscences and opinions of each album. Also included are previously unpublished interviews with founder Ian Anderson, long-time band member David Pegg, other band members Glenn Cornick, Andy Giddings and Doane Perry, and more.

In celebration of the 45th anniversary of The Dark Side of the Moon, Bill Kopp explores the ingenuity with which Pink Floyd rebranded itself following the 1968 departure of Syd Barrett. Not only did the band survive Barrett’s departure, but it went on to release landmark albums that continue to influence generations of musicians and fans. Reinventing Pink Floyd follows the path taken by the remaining band members to establish a musical identity, develop a songwriting style, and create a new template for the manner in which albums are made and even enjoyed by listeners. As veteran music journalist Bill Kopp illustrates, that path was filled with failed experiments, creative blind alleys, one-off musical excursions, abortive collaborations, general restlessness, and—most importantly—a dedicated search for a distinctive musical personality. This exciting guide to the works of 1968 through 1973 highlights key innovations and musical breakthroughs of lasting influence. Kopp places Pink Floyd in its historical, cultural, and musical contexts while celebrating the test of fire that took the band from the brink of demise to enduring superstardom.

Rock music; for voice and guitar(s), with chord symbols and guitar chord diagrams.

Now in paperback, this first oral history of the most nihilistic of all pop movements brings the sound of the punk generation chillingly to life with 50 new pages of depraved testimony. "Please Kill Me" reads like a fast-paced novel, but the tragedies it contains are all too human and all too real. photos.