Jesus was a king of Edessa 600 pages of gnosis. Colour Images. This is the book that the Catholic Church has been dreading for the last 1700 years. This is the book that will end Christianity as we know it. And this is not advertising hyperbole, this really is the end of the Christian fairytale. We now know who Jesus was. Visit his city, see the ruins of his citadel, gaze upon his statue, handle his coins. In reality, Jesus was a son of King Abgarus of Edessa, a king with a small realm, a large treasury, and even bigger ambitions. Thus Jesus' true history undermines much of the biblical fairystory that the gospel authors crafted, and so Christianity will never be the same again. The jacket image shows Jesus wearing his Crown of Thorns, the ceremonial crown of the Edessan monarchy. We suggest that readers start with 'Cleopatra to Christ' and then 'King Jesus'. The wait before arriving at the last episode in the trilogy will be worthwhile, for if a book could be valued on its 'eureka moments' then this final book would be priceless. The 'King Jesus Trilogy' Latest version v12.1 2024 Book three of the King Jesus Trilogy (in four parts). Followed by 'The Grail Cypher'. .

“Both the knowledge of a scholar and the imagination of a poet are brought to bear upon Jesus as child, boy, and man. . . . A bold speculative adventure” (Harold Brighouse, Manchester Guardian). In Robert Graves’s unique retelling, Jesus is very much a mortal and the grandson of King Herod the Great. When his father runs afoul of the king’s temper and is executed, Jesus is raised in the house of Joseph the Carpenter. The kingdom he is heir to, in this version of the story, is very much a terrestrial one: the Kingdom of Judah. Graves tells of Jesus’s rise as a philosopher, scriptural scholar, and charismatic speaker in sharp detail, as well as his arrest and downfall as a victim of pitiless Roman politics. Bringing together his unparalleled narrative skill and in-depth expertise in historical scholarship, renowned classicist and historical novelist Robert Graves brings the story of Jesus Christ to life in a strikingly unorthodox way, making this one of the most hotly contested novels Graves ever wrote—and possibly one of the most controversial ever written. It provides a fascinating new twist to a well-known story, one that fans of this historical period are sure to love. “This is not reading for the easily shocked; it definitely presents Jesus as a sage and a [poet], if not divine. It moves, as does all Mr. Graves’ writing, at a brilliant fast pace, and with a tremendous style.” —Kirkus Reviews

THE EPISTLES of JESUS CHRIST and ABGARUS KING of EDESSA – Complete with Scripture & Commentary covering a letter by Abgarus King of Edessa to Jesus and the replying letter from Jesus… This correspondence took place just a few months before the crucifixion its short but amazing this affirmation will build your faith!

The Image of Edessa, also later known as the Mandylion, was a relic of Christ, a cloth imprinted with his features which he had used to wipe his face, and subsequently used to cure King Agbar of Edessa, the first Christian ruler. This book collects and provides parallel translations of all the available written evidence for the image, along with detailed analysis of the history of the image. Guscin deftly seperates fact from legend, for while the story of King Agbar is certainly mythical, an image of some sort did definitely exist by the mid tenth century when it was translated to Constantinople.

The secrets of Arthurian history revealed

According to legend, the Mandylion was an image of Christ’s face imprinted on a towel, kept in Edessa. This acheiopoieton image (“not made by human hands”) disappeared in the eighteenth century. The first records of another acheiropoieton relic appeared in mid-fourteenth century France: a long linen bearing the image of Jesus’ corpse, known nowadays as the Holy Shroud of Turin. Some believe the Mandylion and the Shroud to be the same object, first kept in Edessa, later translated to Constantinople, France and Italy. Andrea Nicolotti traces back the legend of the Edessean image in history and art, focusing especially on elements that could prove its identity with the Shroud, concluding that the Mandylion and the Shroud are two distinct objects.

Roman Edessa offers a comprehensive and erudite analysis of the ancient city of Edessa (modern day Urfa, Turkey), which constituted a remarkable amalgam of the East and the West. Among the areas explored are: * the cultural life and antecedents of Edessa * Edessene religion * the extent of the Hellenization at Edessa before the advent of Christianity * the myth of an exchange of letters between a King Abgar and Jesus.