All the technical details and swashbuckling action scenes readers have come to expect from Dewey Lambdin. Fresh from his successes along the French coast, Commander Alan Lewrie is dispatched to the Adriatic to patrol the shores of Italy and intercept any French ships trying to reinforce Napoleon's armies. The four ship squadron the HMS Jester has joined emerge victorious from the first few skirmishes, but it soon becomes evident, even to Lewrie, that the British forces need reinforcements. The aid they receive, however, might be the most terrifying aspect of the war yet... and a lethal mistake. Eighth in The Alan Lewrie Naval Adventures, Jester's Fortune is perfect for fans of John Drake, Julian Stockwin and Patrick O’Brian. Praise for Dewey Lambdin ‘You could get addicted to this series. Easily’ New York Times Book Review 'The best naval series since C. S. Forester' Library Journal ‘Fast-moving... A hugely likeable hero, a huge cast of sharply drawn supporting characters: there's nothing missing. Wonderful stuff’ Kirkus Reviews

1796. A diminutive, Corsican-born French general has inherited a ragtag army and turned it into an unstoppable fighting force. Within months, Napoleon's storm rolls across Italy and strikes a lethal blow against the Austrian empire. But while the soil of Piedmont and Tuscany runs with blood, another battle takes shape on the mysterious Adriatic Sea. Alan Lewrie and his 18-gun sloop, HMS Jester are part of a squadron of four British warships and sail into the thick of things. But with England's allies falling, Napoleon busy rearranging the world map, and their squadron stretched dangerously thin along the Croatian coast, the British squadron commander strikes a devil's bargain: enlisting the aid of Serbian pirates.

This masterwork of interpretative history begins with a bold declaration: “The Modern Age is the Jewish Age, and the twentieth century, in particular, is the Jewish Century.” The assertion is, of course, metaphorical. But it drives home Yuri Slezkine’s provocative thesis: Jews have adapted to the modern world so well that they have become models of what it means to be modern. While focusing on the drama of the Russian Jews, including émigrés and their offspring, The Jewish Century is also an incredibly original account of the many faces of modernity—nationalism, socialism, capitalism, and liberalism. Rich in its insight, sweeping in its chronology, and fearless in its analysis, this is a landmark contribution to Jewish, Russian, European, and American history.

Legend and lore surround the history of kings Richard and John, from the ballads of Robin Hood and the novels of Sir Walter Scott to Hollywood movies and television. In the myth-making, King Richard, defender of Christendom in the Holy Land, was the "good king," and his younger brother John was the evil usurper of the kingdom, who lost not only the Crown jewels but also the power of the crown. How much, though, do these popular stereotypes correspond with reality? Frank McLynn, known for a wide range of historical studies, has returned to the original sources to discover what Richard and John, these warring sons of Henry II and Eleanor of Aquitaine, were really like, and how their history measures up to their myth. In riveting prose, and with attention to the sources, he turns the tables on modern revisionist historians, showing exactly how incompetent a king John was, despite his intellectual gifts, and how impressive Richard was, despite his long absence from the throne. This is history at its best-revealing and readable.

CONRAD THE GOOD serves as court jester to a most unworthy master: Lord Otto “the Witless,” who rarely appreciates jesting and acrobatics and more often rewards his good fool with a good whipping. So one night, Conrad flees, leaving Otto’s realm in search of a more enlightened master—taking with him only his noble horse, Blackspur, and his beloved, the servant girl Christa the Fair. As they take to the road, they soon learn that along with their quest comes hardship. But for all the hardships they encounter, there are as many unexpected joys and friends in unexpected places, and there is always their love for one another. And always, their destination lies before them: somewhere, a sanctuary where they’ll have the freedom to be together and be themselves.

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.