Titles: * Ja Da * The Muffin Man * Alexander's Ragtime Band * When the Saints Go Marching In * The Love Nest * Waltz Exciting teacher duets are included for each piece.

Intermediate-level players can achieve a real "professional jazz sound" with this exciting mix of jazz standards and jazz originals by hot New York jazz player Larry Minsky. These incredible easy-to-play jazz stylings include original jazz riffs and written-out improvisations. Titles: * Everything's Coming Up Roses * Solitude * On Green Dolphin Street * Here's That Rainy Day

Composer and arranger Larry Minsky writes out all the jazz riffs and improvisations giving a real "professional jazz sound" to this exciting mix of jazz standards and jazz originals. Titles: * Daydreamer * Riding the Wind * Ballad in C * Rock Prelude * Sunny * I've Got a Crush on You * The Lady Is a Tramp * Bewitched Incredible jazz stylings for the late elementary student!

Composer and arranger Larry Minsky writes out all the jazz riffs and improvisations giving a real "professional jazz sound" to this exciting mix of jazz standards and jazz originals. Titles: * Bluesy * Upbeat Monday * Nocturne * Jazzy Waltz * On the Sunny Side of the Street * Over the Rainbow * I Could Write a Book * How Long Has This Been Going On? Impressive, hip, and elegant stylings within the abilities of every player at the intermediate level!

Larry Minsky introduces students to the world of jazz with clever original compositions and innovative arrangements of traditional melodies and jazz standards, all with upbeat teacher duet accompaniments. Titles include: Yankee Doodle * A Tisket, a Tasket * Old MacDonald * Pop Goes the Weasel * My Dog Samantha * Party Time.

This book begins with an extensive review of the chords and keys previously studied, using fresh and interesting material that will provide enjoyment as well as reinforcement. Particularly noteworthy is the systematic presentation of chords in all positions in both hands. Titles: America the Beautiful * Arkansas Traveler * The Battle Hymn of the Republic * Black is the Color of My True Love's Hair * Brahms Lullaby * Canon in D (Pachelbel) * Deep River * Down in the Valley * Farewell to Thee (Aloha Oe) * Fascination * A Festive Rondeau * Frankie and Johnnie * The Hokey-Pokey * The House of the Rising Sun * Introduction and Dance * La Cucaracha * La Donna E Mobile * La Raspa * Light and Blue * Loch Lomond * Lonesome Road * The Marriage of Figaro * Morning Has Broken * Musetta's Waltz * Musette * Night Song * Nobody Knows the Trouble I've Seen * Polyvetsian Dances * Pomp and Circumstance No. 1 * The Riddle * Rock-a My Soul * Roman Holiday * Sakura * Scherzo * Space Shuttle Blues * Swingin' Sevenths * Theme from Symphony No. 6 (Tchaikovsky) * Tumbalalaika * Village Dance * Waves of the Danube * When Johnny Comes Marching Home * You're in My Heart

Henry Mancini's Peter Gunn theme. Lalo Schifrin's Mission: Impossible theme. Isaac Hayes' theme from Shaft. These iconic melodies have remained a part of the pop culture landscape since their debuts back when movie studios and TV production companies employed full orchestral ensembles to provide a jazz backdrop for the suspenseful adventures of secret agents, private detectives, cops, spies and heist-minded criminals. Hundreds of additional films and television shows made from the mid-1950s and beyond have been propelled by similarly swinging title themes and underscores, many of which have (undeservedly) faded into obscurity. This meticulously researched book begins with Hayes' game-changing music for Shaft, and honors the careers of traditional jazz composers who--as the 1970s gave way to the '80s and beyond--resolutely battled against the pernicious influx of synth, jukebox scores and a growing corporate disinterest in lavish ensembles. Fans frustrated by the lack of attention paid to jazz soundtrack composers--including Mort Stevens, Laurie Johnson, Mike Post, Earle Hagen, David Shire, Elmer Bernstein and many, many others--will find solace in these pages (along with all the information needed to enhance one's music library). But this is only half the story; the saga's origins are discussed in this book's companion volume, Crime and Action Jazz on Screen: 1950-1970.