The first volume of the annotated bibliography of Javanese manuscripts housed in the Reksa Pustaka library in Surakarta, the first institutionalized library in the Indies founded and administered by native Javanese.

Detailing the contents of the 1,204 texts inscribed in these 478 manuscripts, Nancy K. Florida's fully-indexed catalogue of Javanese-language manuscripts guides the reader through a wide range of materials.

V. 1. Introduction and manuscripts of the Karaton Surakarta -- v. 2. Manuscripts of the Mangkunagaran Palace.

The second volume of the annotated bibliography of Javanese manuscripts housed in the Reksa Pustaka library in Surakarta, the first institutionalized library in the Indies founded and administered by native Javanese.

Located at the juncture of literature, history, and anthropology, Writing the Past, Inscribing the Future charts a strategy of how one might read a traditional text of non-Western historical literature in order to generate, with it, an opening for the future. This book does so by taking seriously a haunting work of historical prophecy inscribed in the nineteenth century by a royal Javanese exile--working through this writing of a colonized past to suggest the reconfiguration of the postcolonial future that this history itself apparently intends. After introducing the colonial and postcolonial orientalist projects that would fix the meaning of traditional writing in Java, Nancy K. Florida provides a nuanced translation of this particular traditional history, a history composed in poetry as the dream of a mysterious exile. She then undertakes a richly textured reading of the poem that discloses how it manages to escape the fixing of "tradition." Adopting a dialogic strategy of reading, Florida writes to extend--as the work's Javanese author demands--this history's prophetic potential into a more global register. Babad Jaka Tingkir, the historical prophecy that Writing the Past, Inscribing the Future translates and reads, is uniquely suited for such a study. Composing an engaging history of the emergence of Islamic power in central Java around the turn of the sixteenth century, Babad Jaka Tingkir was written from the vantage of colonial exile to contest the more dominant dynastic historical traditions of nineteenth-century court literature. Florida reveals how this history's episodic form and focus on characters at the margins of the social order work to disrupt the genealogical claims of conventional royal historiography--thus prophetically to open the possibility of an alternative future.

This book completes a series of three volumes cataloguing the Javanese-language manuscripts housed in four repositories in the Central Javanese city of Surakarta that were preserved in microfilm under the auspices of the Cornell University's Surakarta Manuscript Project. The present volume describes the manuscripts of the Radya Pustaka Museum and the private library of the late Panembahan Hardjonagoro, a body of materials that date from the early eighteenth to the early twentieth century. Detailing the contents of the 1,204 texts inscribed in these 478 manuscripts, Nancy K. Florida's fully-indexed catalogue guides the reader through a wide range of materials. The manuscripts catalogued include autobiographical writings; gamelan notation; works of calendrical divination; annotated translations of the Qur’an; compendia of colonial laws and regulations; Sufi poetry; royal genealogies; handbooks on horsemanship; histories of legendary heroes; and scripts for wayang performances. Each entry includes information of titles, authors, dates and places of composition, dates and places of inscription, identities of scribes and patrons, and concise descriptions of the contents. Each title is also provided with a subject categorization, along with notes on the physical size and condition of the original manuscript, descriptions of scripts and scribal styles, papers, and watermarks. It is an essential resource for researchers of Javanese history and culture.