A novel of crime and passion in post–Civil War Maryland, based on a true story, from a “wonderfully talented” author (Michiko Kakutani, The New York Times). Winner of the Michael Shaara Prize for Excellence in Civil War Fiction Based on true events from the author’s family history, Jarrettsville begins in 1869. Martha Jane Cairnes has just shot and killed her fiancé, Nicholas McComas, in front of his Union cavalry militia as they were celebrating the anniversary of the Confederate surrender at Appomattox. To find out why she murdered him, the story steps back to 1865, six days after the surrender, when President Lincoln has just been killed by John Wilkes Booth. Booth belongs to the same Rebel militia as Martha’s hot–headed brother, who has gone missing along with the assassin. Martha is loyal to her brother, but in love with Nicholas McComas, a local hero of the Union cause—and their affair is fraught with echoes of the bloody conflict just ended. Set six miles below the Mason–Dixon line, in a time when brothers fought on opposing sides and former slave–owners lived next door to abolitionists and freedmen, this is a compelling story rich with passion and tragedy, history and suspense.

Under the Cover follows the life trajectory of a single work of fiction from its initial inspiration to its reception by reviewers and readers. The subject is Jarrettsville, a historical novel by Cornelia Nixon, which was published in 2009 and based on an actual murder committed by an ancestor of Nixon's in the postbellum South. Clayton Childress takes you behind the scenes to examine how Jarrettsville was shepherded across three interdependent fields—authoring, publishing, and reading—and how it was transformed by its journey. Along the way, he covers all aspects of the life of a book, including the author's creative process, the role of the literary agent, how editors decide which books to acquire, how publishers build lists and distinguish themselves from other publishers, how they sell a book to stores and publicize it, and how authors choose their next projects. Childress looks at how books get selected for the front tables in bookstores, why reviewers and readers can draw such different meanings from the same novel, and how book groups across the country make sense of a novel and what it means to them. Drawing on original survey data, in-depth interviews, and groundbreaking ethnographic fieldwork, Under the Cover reveals how decisions are made, inequalities are reproduced, and novels are built to travel in the creation, production, and consumption of culture.