From 1960s to the early 1970s in East Asia, the Cold War bipolar system, centering on the US and USSR, shifted to a more complicated structure. After the Cuban Missile Crisis, Washington and Moscow accelerated the détente process, leading China to fear a "collusion" of the two superpowers. Publicly attacking its former ally while continuing to fight against America, China rose as a symbol of multipolarization in international politics during this era. Focusing on Japan’s policy toward this changing paradigm, Kanda examines Japanese leaders’ perceptions of the international order and how they reacted to this changing international environment. This book moves beyond the traditional Eurocentric view of the Cold War, emphasizing the significant role Japan played. The research provides insight into the foreign policy patterns of post-World War II Japanese diplomacy, particularly in relation to China and the USSR. The investigation relies on careful readings of archival records from Japan, China, Taiwan, the US, the UK, Australia and the UN, published diplomatic documents from France and Germany, and personal papers, diaries and memoirs. This volume will appeal to anyone who is interested in postwar Japan's politics and diplomacy, international history of East Asia, and the Cold War history in general.

Since the end of the Cold War China and Japan have faced each other as powers of relatively equal strength for the first time in their long history. As the two great powers of East Asia the way they both compete and cooperate with each other and the way they conduct their relations in the new era will play a big part in the evolution of the region as a whole. This textbook will explore in detail the ways in which politics has shaped the thinking about history and identity in both China and Japan and explain the role political leadership in each country has played in shaping their respective nationalisms. Michael Yahuda traces the evolution of the relationship over the two decades against the framework of a rising China gaining ground on a stagnant Japan and analyzes the politics of the economic interdependence between the two countries and their cooperation and competition in Southeast Asia and in its regional institutions. Concluding with an examination of the complexities of their strategic relations and an evaluation of the potentialities for conflict and co-existence between the two countries, this is an essential text for students and scholars of Sino-Japanese and East Asian International Relations

This volume examines the origins and early years of the Cold War in the first comprehensive historical reexamination of the period. A team of leading scholars shows how the conflict evolved from the geopolitical, ideological, economic and sociopolitical environments of the two world wars and interwar period.

Contested Memories in Chinese and Japanese Foreign Policy explores the issue of memory and lack of reconciliation in East Asia. As main East Asian nations have never achieved a common memory of their pasts, in particular, the events of the Second World War and Sino-Japanese War, this book locates the issue of memory within International Relations theory, exploring the theoretical and practical link between the construction of a country's identity and the formation and contestation of its historical memory and foreign policy. - Provides an innovative theoretical framework - Draws connections between the role of memory and foreign policy - Uses the interpretative theory of international relations - Gives comparative perspective using the cases of China and Japan - Presents in-depth analysis of the construction and contestation of national memory in China and Japan

A rich empirical account of China's foreign economic policy towards Japan after World War Two, drawing on hundreds of recently declassified Chinese sources. Amy King offers an innovative conceptual framework for the role of ideas in shaping foreign policy, and examines how China's Communist leaders conceived of Japan after the war. The book shows how Japan became China's most important economic partner in 1971, despite the recent history of war and the ongoing Cold War divide between the two countries. It explains that China's Communist leaders saw Japan as a symbol of a modern, industrialised nation, and Japanese goods, technology and expertise as crucial in strengthening China's economy and military. For China and Japan, the years between 1949 and 1971 were not simply a moment disrupted by the Cold War, but rather an important moment of non-Western modernisation stemming from the legacy of Japanese empire, industry and war in China.

In Japan's Reluctant Realism , Michael J. Green examines the adjustments of Japanese foreign policy in the decade since the end of the Cold War. Green presents case studies of China, the Korean peninsula, Russia and Central Asia, Southeast Asia, the international financial institutions, and multilateral forums (the United Nations, APEC, and the ARF). In each of these studies, Green considers Japanese objectives; the effectiveness of Japanese diplomacy in achieving those objectives; the domestic and exogenous pressures on policy-making; the degree of convergence or divergence with the United States in both strategy and implementation; and lessons for more effective US - Japan diplomatic cooperation in the future. As Green notes, its bilateral relationship with the United States is at the heart of Japan's foreign policy initiatives, and Japan therefore conducts foreign policy with one eye carefully on Washington. However, Green argues, it is time to recognize Japan as an independent actor in Northeast Asia, and to assess Japanese foreign policy in its own terms.

Critics and cultural historians take Japan's postwar insularity for granted, rarely acknowledging the role of Cold War concerns in the shaping of Japanese society and culture. Nuclear anxiety, polarized ideologies, gendered tropes of nationhood, and new myths of progress, among other developments, profoundly transformed Japanese literature, criticism, and art during this era and fueled the country's desire to recast itself as a democratic nation and culture. By rereading the pivotal events, iconic figures, and crucial texts of Japan's literary and artistic life through the lens of the Cold War, Ann Sherif places this supposedly insular nation at the center of a global battle. Each of her chapters focuses on a major moment, spectacle, or critical debate highlighting Japan's entanglement with cultural Cold War politics. Film director Kurosawa Akira, atomic bomb writer Hara Tamiki, singer and movie star Ishihara Yujiro, and even Godzilla and the Japanese translation of Lady Chatterley's Lover all reveal the trends and controversies that helped Japan carve out a postwar literary canon, a definition of obscenity, an idea of the artist's function in society, and modern modes of expression and knowledge. Sherif's comparative approach not only recontextualizes seemingly anomalous texts and ideas, but binds culture firmly to the domestic and international events that defined the decades following World War II. By integrating the art and criticism of Japan into larger social fabrics, Japan's Cold War offers a truly unique perspective on the critical and creative acts of a country remaking itself in the aftermath of war.