Drawing on the Victoria and Albert Museum's fine collection, Japanese Netsuke examines these appealing, accessible, and often humorous works of art in the broadest possible context. In a text that is both comprehensive and entertaining, Julia Hutt traces the history of netsuke, showing how these highly collectible objects originated from belt hangings used by nomads along the Silk Road. The stunning color photographs reveal the full range of subjects portrayed--images of animals, birds, and sea creatures, portraits of dancers and demons, droll cameos of characters from everyday urban life, even a rare poetic evocation of landscape--and the high level of skill involved in their creation. The richness and diversity of the materials used, as well as the different sources of inspiration, are also discussed, providing an indispensable guide for collectors and all those interested in Japanese decorative arts.

This is a comprehensive study of the inro, the small lacquer container used by Japanese men wearing traditional dress to carry items in daily use, drawing on the V&A's collection. Suspended from the belt by means of a netsuke and originally intended to hold a seal and ink or a supply of medicines, the inro gradually developed as a highly decorative dress accessory and became an object of high fashion, which is now prized by collectors. The majority of inro were made of lacquer, and include some of the finest and most innovative examples of the Japanese lacquerer's craft. The book traces the diverse origins of the inro from around 1600 until the early-20th century, and includes sections on construction and techniques of manufacture, on materials used, as well as on individual craftsmen, with photographs of their signatures. The sources of inro designs are explored, from paintings, ukiyoe prints and woodblock-printed books, with many examples illustrated. Methods of dating are also discussed, making this a useful reference for collectors and experts, while those with a general interest in Japanese art should be drawn to the craftsmanship of the individual pieces.

With dozens of photos and illustrations, A Introduction to Netsuke is a readable and thorough guide to Japanese miniature art. Among the many Japanese fine arts, few have aroused greater admiration than the netsuke. This miniature piece of Japanese sculpture, approximately 1 1/2 inches in size, was designed (in the absence of pockets on kimonos) as an aid in suspending articles such as tobacco pouches from the sash of a kimono. It developed in ancient times as a utilitarian object, but became in the 16th century an artistic one as well, and flourished as such until 1926. No longer commonly worn, the netsuke is now a collectors' item, avidly sought throughout the world by those sensitive to its fine qualities. This book opens the miniature world of netsuke to those who have hitherto been unaware of its existence. In a delightfully lucid manner, the basics of the netsuke are presented-definition, origin, development, materials, statistics, and photographs. This book admirably fulfills its task of introducing the netsuke to the layman, irresistibly drawing him to new pleasures in aestheticism and culture.