This anthology presents an assortment of seven articles from the Journal of Asian Martial Arts that deal with Japanese weaponry: archery, short staff, naganita polearm, and test cutting (tamashigiri) with the long sword. A few articles are highly academic and others are easier reading, based on interviews or actual practice. Three chapters place a focus on archery and the related formalities of ritual and practice. Two of these discuss the uniqueness of Japanese kyudo—the Way of the Bow. As kyudo is a martial art practiced as a do or “spiritual way,” the authors emphasize the meditative aspects. Dr. Hesselink’s chapter differs in that his work details the art of archery performed at full-gallop on horseback. In the first chapter, Dr. Jones discusses his personal experience in Japan while testing for blackbelt in jodo—the Way of the short staff. In another chapter, Rick Polland points out aspects of solo short staff practice and how it also applies with an opponent. Ellis Amdur’s chapter dives into great detail on the history and evolution of the naganita—a bladed polearm ustilized over many centuries in Japanese warfare and later also as a do practice with individual spiritual cultivation as its primary objective. The beauty of naganita blades are no less intrincally interesting than the highly respected making and use of Japanese swords. Tameshigiri—test cutting—is the topic of the final chapter. Utilizing the Swiss Visual Human technology, Dr. Ward analized sixteen major cuts that were often used by the samurai against their opponents. In the past, test cutters would use human cadavers to see exactly how sword cuts affected particular body parts, e.g., neck, torso, wrist, etc. Each area attacked could be rated according to the difficulty of each cut. How does the composition of the body (thickness of bone, muscle tissue, cartledge, etc.) affect the skillfull execution of the blade? The questions and answers that arise while reading this chapter provide great insight into the use of all bladed weapons. Although the chapters in this anthology discuss archery, the short staff, mounted archery, the naginata and test cutting, there is a common theme: the importance of these to Japanese martial traditions.

Samurai: An Illustrated History brings the violent, tumultuous, and, at the same time, elegant world of the medieval Japanese samurai to life. This book of Japanese history traces the story of a unique historical phenomenon: a period of 700 years--equivalent to the entire stretch of Western history between the reigns of the Crusader king Richard the Lionhearted and of Queen Victoria at the height of the British Empire--during which an enclosed civilization was dominated by a single warrior caste. The historical narrative of samurai history is supported by explanations of samurai armor, weapons, fortifications, tactics, and customs, and illustrated with nearly 800 fascinating color photographs, maps, and sketches, including ancient scroll paintings and surviving suits of armor preserved for centuries in Japanese shrines. From the 12th to the 19th centuries the history of Japan was effectively the history of the samurai--the class of professional fighting men. At first, they were no more than lowly soldiery employed by the court aristocracy of Kyoto, but the growing power of the provincial warrior clans soon enabled them to brush aside the executive power of the imperial court and to form their own parallel military government. Though individual dynasties came and went in cycles of vigor and decadence, the dominance of the samurai as a class proved uniquely resilient.

Examines how insects have been used as weapons in wartime conflicts throughout history, presenting as examples how scorpions were used in Roman times and hornets nests were used during the MIddle Ages in siege warfare and how insects have been used in Vietnam, China, and Korea.

A needle may draw a thread through printed pages to bind a book. In this little memoir, I feel like a needle that drew a common thread though a segment of martial art history. This book details three interrelated activities: (1) martial art studies, (2) involvement as founder of Via Media Publishing, producing a quarterly journal and books, and (3) teaching martial arts. Publishers, writers, researchers and serious martial art practitioners will benefit with the detailed overview of Via Media and its publications. Via Media produced the Journal of Asian Martial Arts, known for its high academic and aesthetic standards. Its contents reflect the history of two decades and provides rich information for practitioners and scholars, making The Best Fighta valuable reference work. In addition to reading, the primary way to learn a martial art is through instruction. In reading about my studies and teaching experience, readers can relate to their own involvement in martial arts. What is important here is the portrayal of my instructors, their teaching methods, and reasons for being involved in martial arts. Their accounts should offer insights and inspiration for others who study and practice any martial art.

Fireworks is a collection of wild, hilarious, shocking and always meaningful tales from the remarkable life of an American firearms legend. Mount up and ride along with Cooper as he fights the Japanese in the Pacific, hunts giant Cape buffalo in Africa, recounts the exploits of such fighting men as Wild Bill Hickock and Medal of Honor winner Col. Herman Henry Hanneken and much more.

This text presents an examination of Murasaki Shikibu's 11th-century classic The Tale of Genji. The author explores the role of possessing spirits from a female viewpoint, and considers how the male protagonist is central to determining the role of these spirits.

Contesting the idea that the study of Anglophone literature and literary studies is simply a foreign import in Asia, this collection addresses the genealogies of textual critique and institutionalized forms of teaching of English language and literature in Asia through the 19th and 20th centuries, along with an examination of how its present options and possible future directions relate to these historical contexts. It argues that the establishment of Anglophone literature in Asia did not simply “happen”: there were extra-literary and -academic forces at work, inserting and domesticating in Asian universities both the English language and Anglo-American literature, and their attendant cultural and political values. Offering new perspectives for ongoing conversations surrounding the globalization of Anglophone literature in literary and cultural studies, the book also considers the practicalities of teaching both the language and its canon of classic texts, and that the historical formation and shape of English studies in Asia offers lessons that relate not only to the discipline but also may be applied to the humanities as a whole. ​