This concise volume surveys three hundred years in the history of the lumber industry in early modern (Tokugawa) Japan. In earlier works, Conrad Totman examined environmental aspects of Japan's early modern forest history; here he guides readers through the inner workings of lumber provision for urban construction, providing a wealth of detail on commercial and technological systems of provision while focusing on the convoluted commercial arrangements that moved timber from forest to city despite exceptionally severe environmental and financial obstacles. Based on scrupulous scholarship in the vast Japanese secondary literature on forest history, The Lumber Industry in Early Modern Japan brings to light materials previously unavailable in English and synthesizes these within a thoughtful ecological framework. Its penetrating examination of the patterns of cooperation and conflict throughout the industry adds significantly to the scholarly corpus that challenges the stock image of Tokugawa rulers and merchants as social enemies. Instead it supports the view of those who have noted the interdependent character of political and economic elites and the long-term strengthening of rural sectors of society vis-a-vis urban sectors.

The Dao Companion to Japanese Confucian Philosophy will be part of the handbook series Dao Companion to Chinese Philosophy, published by Springer. This series is being edited by Professor Huang Yong, Professor of Philosophy at Kutztown University and Editor of Dao: A Journal of Comparative Philosophy. This volume includes original essays by scholars from the U.S., Europe, Japan, and China, discussing important philosophical writings by Japanese Confucian philosophers. The main focus, historically, will be the early-modern period (1600-1868), when much original Confucian philosophizing occurred, and Confucianism in modern Japan. The Dao Companion to Japanese Confucian Philosophy makes a significant contribution to the Dao handbook series, and equally to the field of Japanese philosophy. This new volume including original philosophical studies will be a major contribution to the study of Confucianism generally and Japanese philosophy in particular.

Ogyû Sorai (1666–1728) was one of the greatest philosophers of early modern Japan. This volume, a monumental work of scholarship, offers for the first time in any Western language unabridged and fully annotated translations of Sorai’s masterpieces. The Bendô (Distinguishing the Way) and Benmei (Distinguishing Names) are works of political philosophy that define the theoretical foundation for a leadership exercising total power, the best remedy, in Sorai’s view, for a regime in crisis. The translations are based on the 1740 (Genbun 5) woodblock edition, the first major edition of these seminal texts published during the Tokugawa period. In his commentary, John Tucker situates the Bendô and Benmei in relation to Neo-Confucianism via what is known as "philosophical lexicography." This genre, which links Sorai’s thinking with Neo-Confucianism, is traced to the early-thirteenth-century Song dynasty text the Xingli ziyi (The Meanings of Neo-Confucian Terms) by Chen Beixi (1159–1223). Although Sorai was an unrelenting critic the Neo-Confucian formulations of the great Song synthesizer Zhu Xi (1130–1200), his thinking remained, due to its genre, methodology, and conceptual repertory, essentially a radical revision of Neo-Confucian discourse. Tucker’s introduction also examines the reception of Sorai’s two Ben during the remainder of the Tokugawa, calling attention to radical tendencies in later developments of Sorai’s thought as well as to the increasingly scathing critiques of his "Chinese" approach to philosophy, language, and politics. Finally, it traces the vicissitudes of the two Ben in modern Japanese intellectual history and their role in the formation of the ideas of Meiji intellectuals such as Nishi Amane (1829–1897) and Kato Hiroyuki (1836–1916). As before, however, Sorai came under attack—this time for his supposed irreverence toward the throne, the Japanese people, and the imperial nation-state. Though an unpopular philosophy in early twentieth-century Japan, in the postwar years Sorai’s thought was interpreted (by Maruyama Masao and others) as an important modernizing force. While it critiques such ideologically grounded attempts to cast Sorai’s Bendô and Benmei as theoretical contributions to political modernization, Tucker’s study nevertheless acknowledges that Sorai’s masterworks, in their concern for language analysis as the way to solve philosophical problems, share significant common ground with the analytic approach to philosophy pioneered by various twentieth-century Anglo-American philosophers.

In this newly revised and updated 2nd edition of Voices of Early Modern Japan, Constantine Nomikos Vaporis offers an accessible collection of annotated historical documents of an extraordinary period in Japanese history, ranging from the unification of warring states under Tokugawa Ieyasu in the early seventeenth century to the overthrow of the shogunate just after the opening of Japan by the West in the mid- nineteenth century. Through close examination of primary sources from "The Great Peace," this fascinating textbook offers fresh insights into the Tokugawa era: its political institutions, rigid class hierarchy, artistic and material culture, religious life, and more, demonstrating what historians can uncover from the words of ordinary people. New features include: • An expanded section on religion, morality and ethics; • A new selection of maps and visual documents; • Sources from government documents and household records to diaries and personal correspondence, translated and examined in light of the latest scholarship; • Updated references for student projects and research assignments. The first edition of Voices of Early Modern Japan was the winner of the 2013 Franklin R. Buchanan Prize for Curricular Materials. This fully revised textbook will prove a comprehensive resource for teachers and students of East Asian Studies, history, culture, and anthropology.

In both the literal and metaphorical senses, it seemed as if 1970s America was running out of gas. The decade not only witnessed long lines at gas stations but a citizenry that had grown weary and disillusioned. High unemployment, runaway inflation, and the energy crisis, caused in part by U.S. dependence on Arab oil, characterized an increasingly bleak economic situation. As Edward D. Berkowitz demonstrates, the end of the postwar economic boom, Watergate, and defeat in Vietnam led to an unraveling of the national consensus. During the decade, ideas about the United States, how it should be governed, and how its economy should be managed changed dramatically. Berkowitz argues that the postwar faith in sweeping social programs and a global U.S. mission was replaced by a more skeptical attitude about government's ability to positively affect society. From Woody Allen to Watergate, from the decline of the steel industry to the rise of Bill Gates, and from Saturday Night Fever to the Sunday morning fervor of evangelical preachers, Berkowitz captures the history, tone, and spirit of the seventies. He explores the decade's major political events and movements, including the rise and fall of détente, congressional reform, changes in healthcare policies, and the hostage crisis in Iran. The seventies also gave birth to several social movements and the "rights revolution," in which women, gays and lesbians, and people with disabilities all successfully fought for greater legal and social recognition. At the same time, reaction to these social movements as well as the issue of abortion introduced a new facet into American political life-the rise of powerful, politically conservative religious organizations and activists. Berkowitz also considers important shifts in American popular culture, recounting the creative renaissance in American film as well as the birth of the Hollywood blockbuster. He discusses how television programs such as All in the Family and Charlie's Angels offered Americans both a reflection of and an escape from the problems gripping the country.

The Japanese emperors, a peculiar and unique phenomenon in modern times, are the subject of this important handbook edited by Ben-Ami Shillony. An international team of leading scholars looks at these emperors - Meiji (Mutsuhito), Taishō (Yoshihito), Shōwa (Hirohito), and the present emperor Akihito – both as personalities, and as a constantly developing institution. It becomes clear that both the personalities, and the periods in which they reign(ed) have shaped Japanese monarchy, and our image of it. The essays thoroughly deal with topics such as the ideology behind the institution, the roles of the emperors and their wives, their visual representation, their links to Christianity, the antagonism they called forth in right-wing circles, Hirohito’s much-debated war responsibility, and the controversy over amending the succession rules.