This major exhibition presents over 160 oil paintings, watercolors and woodblock prints by eight artists from a single family spanning four generations and over 100 years. Featured artists include Kasaburo Yoshida, Hiroshi Yoshida, Toshi Yoshida, Hodaka Yoshida, and the Yoshida women: Fujio, Chizuko, Kiso, and Ayomi, with approximately 20 oil paintings, 15 watercolors, and 100 woodblock prints, several sketchbooks, and other supporting photographs. These fine works are drawn from both public and private collections, most notably The Minneapolis Institute of Arts, the Toledo Museum of Art, Margaret and Eugene Skibbe (Minneapolis), the Tokyo National Museum, The Fukuoka Art Museum, and the Yoshida family.The catalogue features essays by Koichi Yasunaga, chief curator at the Fukuoka Art Museum, Kendall Brown, professor at California State, Long Beach, Laura W. Allen of San Francisco, Eugene M. Skibbe of Minneapolis and Matthew Welch, curator of Japanese art at The Minneapolis Institute of Arts. They provide new insights into each artist as well as a broad view of major issues confronting Japanese art in the late 19th and 20th century. The unique perspective of a single family also offers a rare opportunity to examine how family ties impact artistic creation.

Although a bit scholarly this book is a timely addition to current happenings in Asia.

The book offers a study of a fascinating political personality, that of Japanese prime minister Abe Shinzôō (2012-2020). Abe's political career was boosted by his predecessor Koizumi Jun.ichirōô and he seemed extremely promising at 51 when he rose to become the youngest Cabinet Secretariat chief, however once in power in 2007 he disappointed by resigning after only one year. Yet, he rose again in 2012 to become the longest-serving prime minister of Japan's history since the end of the Meiji Era (1868-1912), when Japan went through a radical process of modernisation and westernisation, becoming a major military and imperialist power in the process. The book seeks to answer three questions. How could Abe Shinzô remain in power for nearly a decade in a country where prime ministers usually have much shorter terms, in some cases of only one year? He remained in power in spite of the fact that he sought to conduct massive reforms. What was the policy mix devised to keep voters happy, while promoting structural reforms and growth? He was in power for almost ten years. What is his legacy: what remains of his tenure as chief executive?

A journey through the elusive world of traditional Japanese tattooing, based largely on Takahiro's experiences as a client and student of the master Hiryoshi III. He and Katie trace bushido, the samurai code of chivalry, through the imagery and interpersonal dynamics of the veiled subculture. They include over 200 color photographs of Horiyoshi's work, and five unpublished prints by him in a format similar to that in his 100 Demons of Horiyoshi III. The page titled Index is blank. c. Book News Inc.

This is an updated edition of Conrad Totman's authoritative history of Japan from c.8000 BC to the present day. The first edition was widely praised for combining sophistication and accessibility. Covers a wide range of subjects, including geology, climate, agriculture, government and politics, culture, literature, media, foreign relations, imperialism, and industrialism. Updated to include an epilogue on Japan today and tomorrow. Now includes more on women in history and more on international relations. Bibliographical listings have been updated and enlarged. Part of The Blackwell History of the World Series The goal of this ambitious series is to provide an accessible source of knowledge about the entire human past, for every curious person in every part of the world. It will comprise some two dozen volumes, of which some provide synoptic views of the history of particular regions while others consider the world as a whole during a particular period of time. The volumes are narrative in form, giving balanced attention to social and cultural history (in the broadest sense) as well as to institutional development and political change. Each provides a systematic account of a very large subject, but they are also both imaginative and interpretative. The Series is intended to be accessible to the widest possible readership, and the accessibility of its volumes is matched by the style of presentation and production.

Employing a wide range of primary source materials, this book provides a colourful narrative of Japan's development since 1600. A variety of diary entries, letters, legal documents, and poems brings to life the early modern years, when Japan largely shut itself off from the outside world.