In contrast to most studies of migration, which assume that migrants arrive from less developed countries to the industrialised world, where they suffer from discrimination, poor living conditions and downward social mobility, this book examines a different sort of diaspora – descendants of Japanese migrants or "Nikkei" – in Bolivia, who, after a history of organised migration, have achieved middle-class status in a developing country, while enjoying much symbolic capital among the majority population. Based on extensive original research, the book considers the everyday lives of Nikkei and their identity, discusses how despite their relative success they remain not fully integrated into Bolivia's imperfect pluricultural society and explores how they think about, and relate to, Japan.

Japanese Diasporas examines the relationship of overseas Japanese and their descendents (Nikkei) with their home and host nations, focusing on the political, social and economic struggles of Nikkei. Frequently abandoned by their homeland, and experiencing alienation in their host nations, the diaspora have attempted to carve out lives between two worlds. Examining Nikkei communities and Japanese migration to Manchuria, China, Canada, the Philippines, Singapore and Latin America, the book compares Nikkei experiences with those of Japanese transnational migrants living abroad. The authors connect theoretical issues of ethnic identity with the Japanese and Nikkei cases, analyzing the hidden dynamics of the social construction of race, ethnicity and homeland, and suggesting some of the ways in which diasporas are transforming global society today. Presenting new perspectives on socio-political and cultural issues of transnational migrants and diaspora communities in an economically intertwined world, this book will be of great interest to scholars of diaspora studies and Japanese studies.

This book confronts the question of who and what is a Nikkei, that is, a person of Japanese descent, by presenting 18 case studies from throughout the Americas—including Argentina, Bolivia, Brazil, Canada, Paraguay, Peru, and the United States.

In five meticulously researched essays, Yasuo Sakata examines Japanese migration to the United States from an international and deeply historical perspective. Sakata argues the importance of using resources from both sides of the Pacific and taking a holistic view that incorporates US-Japanese diplomatic relationships, the mass media, the American view of Asian populations, and Japan's self-image as a modern, westernized nation. In his first essay, Sakata provides an overview of resources and warns against their gaps and biases; those that remain may reflect culturally based inaccuracies. In the other essays, Sakata examines Japanese migration through a multifaceted lens, incorporating an understanding of immigration, labor, working conditions, diplomatic relationships, and the effects of war and mass media. He further emphasizes the distinctions between the dekasegi period, the transition period, and the imin period. He also discusses the self-image among Japanese as distinct from the Chinese, more westernized and able to assimilate—a distinction lost on Americans, who tended to lump the Asian groups together, both in treatment and under the law. Japan's Meiji era brought the opening of Japanese ports to Western nations and Japan's eventual overseas expansion. This translated volume of Sakata's well-researched work brings a transnational perspective to this critical chapter of early Japanese American history.

In recent years, a large number of young Japanese have been migrating to New York and London for the purpose of engaging in cultural production in areas such as dance, fashion, DJing, film, and pop arts in the hope of 'making it' as artists. In the past, this kind of cultural migration was restricted to relatively small, elite groups, such as American artists in Paris in the 1920's, but Cultural Migrants from Japan looks at the phenomenon of tens of thousands of ordinary, middle-class Japanese youths who are moving to these cities for cultural purposes, and it questions how this shift in cultural migration can be explained. Following Appadurai's theory of the relation between electronic media and mass migration, and using ethnographies of twenty-two young migrants over a five year period, Fujita examines how television, film, and the internet influence this mobility. She challenges emerging orthodoxies in the general discussion of transnationalism, demonstrating the disjunction migrants experience between the pre-existing expectations created by media exposure, and the reality of creating and living as a 'transnational' artist participating in a global community. Intersecting long-term, multi-sited ethnography with emerging transnational and globalization theory, Cultural Migrants from Japan is a timely look at the emerging shift in concepts of national identity and migration.

The important theoretical dimension of this book is the refinement of the concept of the sojourner to take into account the migrants’ settlement phases. Although the sociological meaning of the sojourner vis-à-vis settler has not been sufficiently discussed in the social scientific area, the growing significance of sojourning foreigners should not be ignored. Part of the book illustates the characteristic patterns of population movements from Japan to Australia by analysing statistical data. The outcome from the extensive research, including intensive fieldwork conducted in Melbourne, portrays the distinctiveness of the Japanese community living there. This work will contribute to sociology of migration and cultural exchange programme and multi-national firm that seeks to better understand the unavoidable transformation relating to various patterns of international migration and the emergence of new types of urban ethnicity.