A concise retrospective, this publication contains previously unpublished written and visual material, as well as pertinent literature on the oeuvre of Janet Cardiff and George Bures Miller. SPECIALIST

Edited by Julie Courtney. Essay by Richard Torchia. Foreword by Sara Jane Elk. Afterword by Sean Kelley.

This renowned Canadian duo's audio and video works and installations examine the complexity and vertiginous nature of subjectivity in a technological world, where man is caught between present and the loss of self, between memory and experience, perception and imagination. Cardiff and Miller create interactive pieces in which the visitor is invited to touch, listen, smell and move about freely. This new catalogue presents five of those works, including "Paradise Institute" and "The Forty-Part Motet," as well as three created within the last year, all documented in installation photographs and on a DVD. With an essay from art critic and historian Jorg Heiser.

This book documents Janet Cardiff's 1999 audio project, The Missing voice (Case Study B), and includes the full audio CD as well as images from this exploration of London's inner city. Part urban guide, part fiction, part film noir, her audio walk entwines the listener in a narrative that shifts through time and space. Intimate, even conspirational, Cardiff has created a psychologically absorbing experience for an audience of one at a time. You find yourself transported back in time. What was that sound? Who is speaking to you? Where does reality end, and what's imagined begin? Also included is an extended essay analyzing the artist's career to date. Born in 1957, in Brussels, Canada, Cardiff works and lives in Alberta and has shown internationally in, among others, London, New York, Berlin, and Vienna. Her work has been included in significant group exhibitions, notably Skulptur Projekte Munster, 1997; Present Tense: Nine Artists in the Nineties, at San Francisco Museum of Modern Art; the 1999 Carnegie International; and the Museum as Muse at New York's Museum of Modern Art.

The Murder of Crows, the somber yet fascinating sound installation by the team of Canadian artists Janet Cardiff (*1957) and George Bures Miller (*1960) , evokes semiconscious dream visions, ancient myths, and last but not least Goya's etching The Sleep of Reason Produces Monsters, which shows birds swarming around the head of a sleeping man dreaming. Besides this work, the volume presents selected older projects by the two artists as well as an enlightening text by Carolyn Christov-Bakargiev, artistic director of dOCUMENTA(13). Rounding out this elaborately designed artist's book are an extensive interview with the artists, detailed information about the recording and playback techniques they employ, a DVD and 3D reproductions, and astonishing ornithological and literary texts referring to the title work that illustrate humankind's special relationship with crows.

This book documents Janet Cardiff's audio walks, the artist providing gallery-goers with walkmans which take them through the walks relying solely on the acoustic guide.