THIRD PRINTING! Now from Jane Chambers' NEW PUBLISHER T 'n' T CLASSICS INC. This smoldering love story of two contemporary women possessed by unfulfilled lovers from three centuries ago, is a gripping novel in its own right & an insightful commentary on the prejudice & persecution of gay people throughout history. Written with all the gentleness of LAST SUMMER AT BLUEFISH COVE*, the country touches of MY BLUE HEAVEN*, & the warm humanity of A LATE SNOW*, (*all published by T 'n' T CLASSICS INC. under the JH gay plays imprint) this book is a must for all fans of the late Ms. Chambers...or a great introduction to her work for those unfamiliar with this remarkably versatile feminist writer. While best know for her plays, she was also a sensitive poet & novelist. Book includes photos of Ms. Chambers & names of winners of the Jane Chambers Playwriting awards. Appeals to lovers of Gothic horror stories as well as lovers of romantic feminist fiction. It was dedicated to her life's companion with the words: "Beth, who loves ghosties & goblins & long-leggity beasties & things that go bump in the night." To order contact INLAND or T 'n' T CLASSICS INC. by FAX at 212-695-3219, by phone at 212-736-6279 or mail to P.O. Box 1243 Ansonia Station, New York, NY 10023. Book priced at only $9.95 plus $3.50 postage/handling first book, + $1.00 each additional book.

A re-assessment of the Gothic in relation to the female, the 'feminine', feminism and post-feminismThis collection of newly commissioned essays brings together major scholars in the field of Gothic studies in order to re-think the topic of 'Women and the Gothic'. The 14 chapters in this volume engage with debates about 'Female Gothic' from the 1970s and '80s, through second wave feminism, theorisations of gender and a long interrogation of the 'women' category as well as with the problematics of post-feminism, now itself being interrogated by a younger generation of women. The contributors explore Gothic works from established classics to recent films and novels from feminist and post-feminist perspectives. The result is a lively book that combines rigorous close readings with elegant use of theory in order to question some ingrained assumptions about women, the Gothic and identity. Key FeaturesRevitalises the long-running debate about women, the Gothic and identityEngages with the political agendas of feminism and post-feminismPrioritises the concerns of woman as reader, author and criticOffers fresh readings of both classic and recent Gothic works