James Joyce's America is the first study to address the nature of Joyce's relation to the United States. It challenges the prevalent views of Joyce as merely indifferent or hostile towards America, and argues that his works show an increasing level of engagement with American history, culture, and politics that culminates in the abundance of allusions to the US in Finnegans Wake, the very title of which comes from an Irish-American song and signals the importance of America to that work. The volume focuses on Joyce's concept of America within the framework of an Irish history that his works obsessively return to. It concentrates on Joyce's thematic preoccupation with Ireland and its history and America's relation to Irish post-Famine history. Within that context, it explores first Joyce's relation to Irish America and how post-Famine Irish history, as Joyce saw it, transformed the country from a nation of invasions and settlements to one spreading out across the globe, ultimately connecting Joyce's response to this historical phenomenon to the diffusive styles of Finnegans Wake. It then discusses American popular and literary cultures in terms of how they appear in relation to, or as a function of, the British-Irish colonial context in the post-Famine era, and concludes with a consideration of how Joyce represented his American reception in the Wake.

James Joyce and the Difference of Language offers an alternative look at Joyce's writing by placing his language at the intersection of various critical perspectives: linguistics, philosophy, feminism, psychoanalysis, postcolonialism and intertextuality. Combining close textual analysis and theoretically informed readings, an international team of leading scholars explores how Joyce's experiments with language repeatedly challenge our ways of reading. Topics covered include reading Joyce through translations; the role of Dante's literary linguistics in Finnegans Wake; and the place of gender in Joyce's modernism. Two further essays illustrate aspects of Joyce's cultural politics in Ulysses and the ethics of desire in Finnegans Wake. Informed by debates in Joyce scholarship, literary studies and critical theory, and addressing the full range of his writing, this volume comprehensively examines the critical diversity of Joyce's linguistic practices. It is essential reading for all scholars of Joyce and modernism.

This book presents for the first time a collective examination of the issue of audience in relation to Joyce's work and the cultural moments of its reception. While many of the essays gathered in this volume are concerned with particular readers and readings of Joyce's work, they all, individually and generally, gesture at something broader than a specific act of reception. Joyce's Audiences is an important narrative of the cultural receptions of Joyce but it is also an exploration of the author's own fascination with audiences, reflecting a wider concern with reading and interpretation in general. Twelve essays by an international cast of Joyce critics deal with: the censorship and promotion of Ulysses; the 'plain reader' in modernism; Richard Ellmann's influence on Joyce's reputation; the implied audiences of Stephen Hero and Portrait; Borges's relation with Joyce; the study of Joyce in Taiwan; the promotion of Joyce in the U.S.; the complaint that there is insufficient time to read Joyce's work; the revisions to "Work in Progress" that respond to specific reviews; strategies of critical interpretation; Joyce and feminism; and the 'belated' readings of post-structuralism.

Writing regions, undertaking a regional study, was once a standard form of geographic communication and critique. This was until the quantitative revolution in the middle of the previous century and more definitively the critical turn in human geography towards the end of the twentieth century. From then on writing regions as they were experienced phenomenologically, or arguing culturally, historically, and politically with regions, was deemed to be old-fashioned. Yet the region is, and always will be, a central geographical concept, and thinking about regions can tell us a lot about the history of the discipline called geography. Despite taking up an identifiable place within the geographical imagination in scholarship and beyond, region remains a relatively forgotten, under-used, and in part under-theorised term. Reanimating Regions marks the continued reinvigoration of a set of disciplinary debates surrounding regions, the regional, and regional geography. Across 18 chapters from international, interdisciplinary scholars, this book writes and performs region as a temporary permanence, something held stable, not fixed and absolute, at different points in time, for different purposes. There is, as this expansive volume outlines, no single reading of a region. Reanimating Regions collectively rebalances the region within geography and geographical thought. In renewing the geography of regions as not only a site of investigation but also as an analytical framework through which to write the world, what emerges is a powerful reworking of the geographic imagination. Read against one another, the chapters weave together timely commentaries on region and regions across the globe, with a particular emphasis upon the regional as played out in the United Kingdom, and regional worlds both within and beyond Europe, offering chapters from Africa and South America. Addressing both the political and the cultural, this volume responds to the need for a consolidated and considered reflection on region, the regional, and regional geography, speaking directly to broader intellectual concerns with performance, aesthetics, identity, mobilities, the environment, and the body.