James Joyce left Dublin in 1904, bound for Trieste and a job teaching English at the Berlitz School. He was to live there for the next eleven years. Italo Svevo, born and bred in Trieste, worked there for his family's marine paint company. He had also written two novels, published privately and unsuccessfully. In 1907, wanting to improve his English to do business with the British Admiralty, Svevo went to Berlitz, where Joyce became his teacher. Svevo was then 46 and Joyce 25. Despite their different backgrounds, Irish Catholic and Triestene Jewish, they had, intellectually, much in common. They admired each other's writing. Joyce improved Svevo's English. Svevo helped Joyce stay solvent, and also became the inspiration for Leopold Bloom. In Ulysses, the near father-son relationship between Stephen Dedalus and Bloom in Dublin was very close to that of Svevo and Joyce in Trieste. The two writers lived through the great political and cultural upheavals of the early 20th century, and their story has a fascinating supporting cast - W.B. Yeats and G.B. Shaw, Proust and Hemingway, Freud and Jung, H.G. Wells and T.S. Eliot. Although often living in different cities - Zurich, Paris, London - their friendship survived. When Ulysses was finally published in Paris in 1922, its success enabled Joyce to help Svevo find a publisher for his great comic masterpiece The Confessions of Zeno. European literature owes a great deal to that meeting in Trieste.

A newly translated collection of fiction by the influential Italian modernist, continuing on his landmark work Zeno's Conscience. A Very Old Man collects five linked stories, parts of an unfinished novel that the great Triestine Italo Svevo wrote at the end of his life, after the international success of Zeno’s Conscience in 1923. Here Svevo revisits with new vigor and agility themes that fascinated him from the start—aging, deceit, and self-deception, as well as the fragility, fecklessness, and plain foolishness of the bourgeois paterfamilias—even as memories of the recent, terrible slaughter of World War I and the contemporary rise of Italian fascism also cast a shadow over the book’s pages. It opens with “The Contract,” in which Zeno’s manager, the hardheaded young Olivi, expresses, like the war veterans who were Mussolini’s early followers, a sense of entitlement born of fighting in the trenches. Zeno, by contrast, embodies the confusion and paralysis of the more decorous, although sleepy, way of life associated with the onetime Austro-Hungarian Empire which for so long ruled over Trieste but has now been swept away. As always, Svevo is attracted to the theme of how people fail to fit in. It is they, he suggests, who offer a recognizably human countenance in a world ravaged by the ambitions and fantasies of its true believers.

"The Italian Italo Svevo had many things in common with other writers: a long struggle for recognition, a mutually respectful friendship with a noteworthy author (in Svevo's case, James Joyce), and a long list of neuroses. Unlike some writers, however, Svevo was fortunate to have a wife who worked tirelessly on his behalf." "After Svevo's death in 1928 at the age of sixty-six, Livia Veneziani Svevo penned this portrait of a serious artist and a loving, if quirky, marriage. Memoir of Italo Svevo illuminates its subject's darkly comic novels and shows how a successful middle-aged businessman, as obsessed with smoking as with his abandoned literary ambitions, became one of the great authors of the twentieth century." --Book Jacket.

In this novel, Svevo tells the story of the amorous entanglement of Emilio, a failed writer already old at 35, and Angiolina, a beautiful but promiscuous young woman. A study in jealousy and self torment, it is suffused with a tragic sense of existence.

Zeno's Conscience (La Conscienza di Zeno), by Italo Svevo, is a masterpiece of Italian literature of the 20th century. The book is narrated by Zeno Cosini, a middle-aged man who decides to write his memories in an attempt to understand himself and his life. Through his reflections, the author explores themes such as identity, psychoanalysis, death, illness, and love. The narrative is filled with humor and irony, but it is also deeply philosophical and introspective. Zeno is a complex and contradictory character whose actions are often motivated by selfish and thoughtless impulses. The author accurately describes the human mind, with its contradictions and weaknesses. Svevo is a master in creating memorable characters, such as the sisters Ada, whom he is in love with, and Augusta, and Guido, his rival in the conquest of Ada. Svevo's language is clear, innovative, and ironic. Zeno's Conscience is a work that challenges the reader to reflect on life and human nature, and continues to be one of the most important and influential works of Italian literature.

This is the first book in English on the friendship that sprang up between these two major writers and the effects on both of that friendship. The encounter has long been undervalued by scholars, largely because Joyce and Svevo themselves appeared at times to attach relatively little importance to it, but it was in fact far from tangential to the development of their careers, coming as it did at key moments in their lives. This book is the first full study of the effect on both writers of their encounter and their unlikely friendship, in the light of the parallels between their life experiences and their shared culture. Stanislaus Joyce said: 'The happy chance that brought these two remarkable men together was a literary event that is likely to increase rather than decrease in interest in years to come'. A study of this unlikely friendship by an experienced Italianist will have much that is useful to say in this regard, particularly as our understanding of the importance of Svevo's Jewishness has changed greatly in recent years.