A landmark in the conversation about race and religion in America. "They put him to death by hanging him on a tree." Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and "black death," the cross symbolizes divine power and "black life" God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.

"The introduction to this edition by Cornel West was originally published in Dwight N. Hopkins, ed., Black Faith and Public Talk: Critical Essays on James H. Cone's Black Theology & Black Power (Maryknoll, NY: Orbis Books, 1999; reprinted 2007 by Baylor University Press)."

Jürgen Moltmann is a theological iconoclast, ever confronting the status quo. Stephen D. Morrison examines Moltmann's unique theology in this clear and accessible study. It is the third book of Morrison's Plain English Series, written "by a beginner, for beginners." This book studies each of Moltmann's major works of theology, including his most popular books (such as Theology of Hope, The Crucified God, and The Trinity and the Kingdom). Here we discuss Moltmann's groundbreaking proposals for eschatology, the Trinity, creation, and the suffering of God.

This important work by one of the most significant New Testament scholars of the modern period, now available in English for the first time, explores the significance of Christian apocalyptic for the church in times of conflict and crisis. Engaging with global social and political realities that are still very much with us, Ernst Käsemann offers a theological indictment of global white supremacy, capitalism, and militarism and passionately articulates an apocalyptic theology of liberation. The book includes a foreword by James H. Cone and an introduction by Ry O. Siggelkow.

In this, the first full-scale black systematic theology in twenty years, James Evans emerges as a major and distinctive voice in American theology.Seeking to overcome the chasm between church practice and theological reflection, Evans situates theology squarely in the nexus of faith with freedom. There, with a sure touch, he uplifts revelatory aspects of black religious experience that reanimate classical areas of theology, and he creates a theology with a heart, a soul and a voice that speaks directly to our condition.

Written from one amateur to another Stephen Morrison hopes to introduce readers to Barth's thought without confusing theological jargon. By focusing on the eight major ideas of Barth's thought, the author provides readers with a helpful introduction to one of the greatest minds in modern theology.