James Bond #1 (2019) : New series, new team, new missions! VITA AYALA (Morbius, Age Of X-Man), DANNY LORE (Queen Of Bad Dreams) and ERIC GAPSTUR (James Bond 007) present a fresh take on the world’s greatest secret agent. When a priceless piece of art is found to be fake, investigations lead down a rabbit hole of international crime and corruption. But what the hell does James Bond know about the world of art forgery? Featuring a cover by superstar JIM CHEUNG (Justice League, Young Avengers), that will be revealed as an interlocking image over the first three issues!

New series, new team, new missions! VITA AYALA (Morbius, Age Of X-Man), DANNY LORE (Queen Of Bad Dreams) and ERIC GAPSTUR (James Bond 007) present a fresh take on the world’s greatest secret agent. When a priceless piece of art is found to be fake, investigations lead down a rabbit hole of international crime and corruption. But what the hell does James Bond know about the world of art forgery? Featuring a cover by superstar JIM CHEUNG (Justice League, Young Avengers), that will be revealed as an interlocking image over the first three issues!

JAMES BOND declares war on Le Chiffre, French Communist and paymaster of the Soviet murder organization SMERSH. The battle begins for the ace secret agent in a fifty-million-franc game of baccarat...gains momentum in his fiery love affair with a sensuous lady spy...and reaches a chilling climax with fiendish torture at the hands of a master sadist. The critics give a winning hand to Ian Fleming’s superlative thriller of espionage, adventure, intrigue and murder—CASINO ROYALE “Hums with tension...Author Fleming keeps his incidents and characters spinning through their paces like juggling balls.”—Time “A speed-breaker for thrills with a big dramatic scene set in a crowded casino.” Atlanta Journal Constitution “Excitement enough to intrigue the most hardened reader.”—Newark News “Mounting suspense on every page.”—Houston Chronicle “It’s superlative, everything such a story should be...One can only beg for more from Mr. Fleming.”—Pensacola News-Journal

"Originally published in magazine format as James Bond 007 issues 1-6." -- Indicia

Readers can explore James Bond creator Ian Fleming’s writing on the pleasures of drinking and mix themselves fifty delicious cocktails from recipes inspired by his books and developed by award-winning London bar, Swift. Both Bond and Fleming were partial to a stiff drink. In both fiction and real life, cocktails were an important and well-chosen accompaniment to adventure and daring and often relaxing. Fleming made the Martini famous with Bond’s ritual of always ordering it “shaken, not stirred”. But in every James Bond book a wide selection of strong, sophisticated and carefully crafted drinks are essential details to the story. The recipes in Shaken are divided into five categories: Straight Up; On the Rocks; Tall; Fizzy; and Exotic. Sip on inventions such as Smersh, Moneypenny, That Old Devil M and Diamonds Are Forever, as well as classic Bond cocktails such as the Vesper—and, of course, the Dry Martini. Each recipe is illustrated by a stunning full-color photo of the drink and wonderful extracts from Fleming’s writing—taken from the passage where the drink was featured or a place, character, or plot that inspired it. Shaken features a foreword written by the novelist’s nephew, Fergus Fleming, as well as plenty of his writing on whisky, gin, rum, and other spirits.

When a priceless piece of art is found to be fake, investigations lead down a rabbit hole of international crime and corruption. But what the hell does James Bond know about the world of art forgery? Agent 007 is a loner, by nature. But finally, he accepts that he needs help. But will trusting someone else help his mission...or lead to the deaths of innocents?

In this new edition of Licence To Thrill, James Chapman builds upon the success of his classic work, regarded as the definitive scholarly study of the history of the James Bond film series from the first picture, Dr No (1962), to the present. He considers the origins of the films in the spy thrillers of Ian Fleming and examines the production histories of the films in the contexts of the British and international film industries. This edition includes a new introduction and chapters on Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021). Chapman explores how the films have changed over time in response to developments in the wider film culture and society at large. He charts the ever-evolving Bond formula, analysing the films' representations of nationhood, class, and gender in a constantly shifting cinematic and ideological landscape.