Travel writer and historian Stephen Foehr examines the historical, cultural and political influences that helped an island of two million people create the international music phenomenon of reggae and its associated forms. Photos.

In 1975, Nanny was declared the first and, is to date, the only female National Hero in Jamaica. Using an ethnohistorical approach, anthropologist Werner Zips takes Nanny's key role in the Maroon societies to probe into the African political, legal, social and religious experiences throughout the periods of slavery, colonial rule and postcolonial nation building.

First publication of the esoteric shamanism of the Jamaican Elders ala Castaneda style storytelling.

A true "first," this encyclopedia is the only comprehensive guide ever published on the archaeology and traditional culture of the Caribbean. In The Peoples of the Caribbean, archaeologist Nicholas J. Saunders assembles for the first time a comprehensive sourcebook on the archaeology, folklore, and mythology of the entire region, charting a story 7,000 years in the making. Drawing on decades of study in the Caribbean and South America, Saunders explores landmark archaeological sites, such as Caguana in Puerto Rico, with its ceremonial architecture and ballcourts, and plantation sites, such as Jamaica's Drax Hall. The author dives into the underwater archaeology of Spanish treasure galleons and untangles stories of cannibalism, zombies, and hallucinogenic snuffing rituals. He examines the impact of key Europeans, such as Christopher Columbus, and introduces readers to the native people, such as the Arawak, who welcomed them. Bringing the story up-to-date, Saunders chronicles the struggle of the indigenous people, from the Caribs of Dominica to the Taíno of the Dominican Republic, trying to reclaim and revitalize their historical cultural identity.

Vibe Merchants offers an insider’s perspective on the development of Jamaican Popular Music, researched and analysed by a thirty-year veteran with a wide range of experience in performance, production and academic study. This rare perspective, derived from interviews and ethnographic methodologies, focuses on the actual details of music-making practice, rationalized in the context of the economic and creative forces that locally drive music production. By focusing on the work of audio engineers and musicians, recording studios and recording models, Ray Hitchins highlights a music creation methodology that has been acknowledged as being different to that of Europe and North America. The book leads to a broadening of our understanding of how Jamaican Popular Music emerged, developed and functions, thus providing an engaging example of the important relationship between music, technology and culture that will appeal to a wide range of scholars.

Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.

In 1668, a young Jamaican girl, Kemosha, secures her freedom from enslavement and finds her true self while sailing to Panama with the legendary Captain Morgan. A Junior Library Guild Gold Standard Selection "Inspired by accounts of women pirates, this fantastical tale represents the era’s cruelty without romanticizing it. Kemosha’s love and persistence combine with forceful action, the terror of harsh racism and passionate, colourful language." —The Toronto Star In 1668, fifteen-year-old Kemosha is sold by a slave owner to a tavern keeper in Port Royal, Jamaica—the “wickedest city on earth.” She soon flees from a brutal assault and finds herself in the company of a mysterious free Black man, Ravenhide, who teaches her the fine art of swordplay, introduces her to her soul mate, Isabella, and helps her win her freedom. Ravenhide is a privateer for the notorious Captain Morgan aboard his infamous ship, the Satisfaction. At Ravenhide’s encouragement, Morgan invites Kemosha to join them on a pillaging voyage to Panama. As her swashbuckling legend grows, she realizes she has the chance to earn enough to buy the freedom of her loved ones—if she can escape with her life . . .