Brings a new approach to the interpretation of the sources used to study the Early Christian era - reading history backwards. This book will interest teachers and students of New Testament studies from around the world of any denomination, and readers of early Christianity and Patristics.

In Building the Body of Christ, Daniel C. Cochran argues that monumental Christian art and architecture played a crucial role in the formation of individual and communal identities in late antique Italy. The ecclesiastical buildings and artistic programs that emerged during the fourth and fifth centuries not only reflected Christianity’s changing status within the Roman Empire but also actively shaped those who used them. Emphasizing the importance of materiality and the body in early Christian thought and practice, Cochran shows how bishops and their supporters employed the visual arts to present a Christian identity rooted in the sacred past but expressed in the present through church unity and episcopal authority. He weaves together archaeological and textual evidence to contextualize case studies from Rome, Aquileia, and Ravenna, showing how these sites responded to the diversity of early Christianity as expressed through private rituals and the imperial appropriation of the saints. Cochran shows how these early ecclesiastical buildings and artistic programs worked in conjunction with the liturgy to persuade individuals to adopt alternative beliefs, practices, and values that contributed to the formation of institutional Christianity and the “Christianization” of late antique Italy.

The Apostles in Early Christian Art and Poetry presents the first in-depth analysis of the origins of the representation of the apostles (the twelve disciples and Paul) in verse and image in the late antique Greco-Roman world (250-400). Especially in the West, the apostles are omnipresent, in particular on sarcophagi and in Biblical and martyr poetry. They primarily function as witnesses of Christ’s stay on earth, but Peter and Paul are also popular saints of their own. Occasionally, the other apostles come to the fore as individual figures. Direct influence from art on poetry or vice versa appears to be difficult to trace, but principal developments of late antique society are reflected in the representation of the apostles in both media.

While there is little evidence of formal rhetorical instruction in Anglo-Saxon England, traditional Old English poetry clearly shows the influence of Latin rhetoric. Verse and Virtuosity demonstrates how Old English poets imitated and adapted the methods of Latin literature, and, in particular, the works of the Christian Latin authors they had studied at school. It is the first full-length study to look specifically at what Old English poets working in a Latinate milieu attempted to do with the schemes and figures they found in their sources. Janie Steen argues that, far from sterile imitation, the inventiveness of Old English poets coupled with the constraints of vernacular verse produced a vital and markedly different kind of poetry. Highlighting a selection of Old English poetic translations of Latin texts, she considers how the translators responded to the challenge of adaptation, and shows how the most accomplished, such as Cynewulf, absorb Latin rhetoric into their own style and blend the two traditions into verse of great virtuosity. With its wide-ranging discussion of texts and rhetorical figures, this book can serve as an introduction to Old English poetic composition and style. Verse and Virtuosity, will be of considerable interest to Anglo-Saxonists, linguists, and those studying rhetorical traditions.

The ideology and imagery in the Passion of Perpetua are mediated heavily by traditional Graeco-Roman culture; in particular, by traditional notions of the afterlife and of the ascent of the soul. This context for understanding the Passion of Perpetua aligns well with the available material evidence, and with the writings of Tertullian, with whose ideology the text of Perpetua is in an implicit polemical dialogue.Eliezer Gonzalez analyzes how the Passion of Perpetua provides us with early literary evidence of an environment in which the Graeco-Roman and Christian cults of the dead, including the cults of the martyrs and saints, appear to be very much aligned. He also shows that the text of the Passion of Perpetua and the writings of Tertullian provide insights into an early stage in the polemic between these two conceptualisations of the afterlife of the righteous.

The patristic principle demands that theological quarrels be settled by resorting to the church fathers. This volume presents the first comprehensive reflexion on the historical evolution of the present crisis of this ancient theological principle. Focusing on the theory of the consensus quinquesaecularis, the author surveys the development of patristic authority from the 16th to the 20th centuries and relates it to other problems of the Church in modern times such as the crisis of tradition, the conflict between ecclesiastical authority and academic theology, and ecumenism. The concluding chapter tackles the question whether a renewal of the patristic principle is possible and feasible today.